S
sidecarjoeg
New member
I have a Behringer MX9000 (and I realize that alot of people don't like Behringer). It has had some channels come and go while recording / rehearsing. I've even moved to other channels and they act dead sometimes. At any rate, I replaced the +/- 17v LM350's with LM338T's in the power supply, hoping to both stave off the well known failure but to hopefully help the issues that I've been having. To give some perspective, I only had 9 channels that were 100%... the others were acting dead or intermittent. I have used this mixer before and only had 1 dead channel. I will be trying the board out on Wednesday to see what works and what is dead.
At any respect, do you think it is worth possibly fixing the dead channel, but instead of just fixing it to upgrade? I'm thinking about replacing the op amps with higher quality ones, possibly Burr Brown 4228's. I also would potentially replace any caps in the signal chain. If that works well then I'm debating upgrading a few other channels, say like 8 or so since all I really use are a max of say 16 channels at once and I have a couple of out board ART TPS mike pre's. Any thoughts?
As an FYI, I send most of the channels direct out into my Fostex VF-16. I do mix down a few tracks to busses, but I try to keep that to a minimum. I also run an ART TPS with the digital out into the ADAT in on my VF16 and the analog outs into channels of the MX9000, but not mixed into the VF-16 analog wise. I have another ART TPS that I run into the MX9000 and send through into the VF16 that way. The only reason that I run the mike pres into the Behringer is because sometimes my drummer or I like to hear a different mix than what is going to the recording unit, so I use that separate mix either on an effects bus and route it into another pair of inputs, or just run the mains, depending on what all I am doing. All of my compression, gating, most EQing, and mixing are done on the computer on Cool Edit Pro after the raw wav files are dumped out via scsi from the VF16.
At any respect, do you think it is worth possibly fixing the dead channel, but instead of just fixing it to upgrade? I'm thinking about replacing the op amps with higher quality ones, possibly Burr Brown 4228's. I also would potentially replace any caps in the signal chain. If that works well then I'm debating upgrading a few other channels, say like 8 or so since all I really use are a max of say 16 channels at once and I have a couple of out board ART TPS mike pre's. Any thoughts?
As an FYI, I send most of the channels direct out into my Fostex VF-16. I do mix down a few tracks to busses, but I try to keep that to a minimum. I also run an ART TPS with the digital out into the ADAT in on my VF16 and the analog outs into channels of the MX9000, but not mixed into the VF-16 analog wise. I have another ART TPS that I run into the MX9000 and send through into the VF16 that way. The only reason that I run the mike pres into the Behringer is because sometimes my drummer or I like to hear a different mix than what is going to the recording unit, so I use that separate mix either on an effects bus and route it into another pair of inputs, or just run the mains, depending on what all I am doing. All of my compression, gating, most EQing, and mixing are done on the computer on Cool Edit Pro after the raw wav files are dumped out via scsi from the VF16.