Krakit said:
It's all academic now anyway. I put down the cash for the MRS-4 this afternoon (as threatened)
.
When it arrives by UPS, I'll let you know how tickled I am.
Carl
Too bad more MR8 users weren't around this weekend. I just your posts.
The proprietary file format is reason enough stay away from the Zoom - if you are going to be working with a PC. You'll notice that many MR-8 users still use the original card. It's so easy to record tracks, drag/drop into an app like n-Track, transfer a stereo mix back, record more tracks, etc., that you can create tunes with unlimited tracks, so the time limititation is really a very minor issue. As for the undocumented 'virtual tracks' - same thing, they're on the card if you need them transfered to a PC for mixing.
All of the units that use compression to save space (Zoom, Korg, Tascam, Boss) can have issues as the number of recorded tracks increases. All of these schemes work by removing frequencies that the ear wouldn't normally "hear". That's fine for ripping a CD, where the mix won't change, but if you record a guitar track, the compression may remove frequencies that would be critical if played along a second guitar track. The gist of it all is that machines that compress the audio tend to sound "muddy" as more tracks are recorded, and bouncing just makes the problem worse.
True, the MR-8 essentially has no effects, but again, used with a computer it doesn't matter. As much as I personally didn't care for the Tascam PS-05, if you're looking for a cheap, all-in-one 4 track, that might be a better choice than the Zoom since it can play MIDI files, create MP3's, has built in backing style tracks that can be programmed into songs, and some pretty good vocal and guitar effects.
It all depends on if you're going to work with a computer or stand- alone.