Mics?

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Re-tox_stl

Re-tox_stl

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Ok, so i am looking at purchasing a new microphone (preferably just one, because Im on a pretty small budget), and i cant quite make a decision. Im really considering getting a shure sm57, being that it can pretty much do anything. But i just wanted to get some personal feedback on it (from you guys) before i make a purchase. So please let me know


Much love, Drew

p.s. Ile mainly be using it for vocals, possibly guitar amps & acoustics, and some percussion instruments (cajon, djembe etc.)
 
Yes, get that. That's a great mic. Once you get some more money, buy a condensor mic. They are better for acoustic guitars and vocals. I'd recommend and MXL 990, and an MXL 991. I think you can buy them together in a pack for a discount somewhere.
 
I just picked up a Ev co4-cobalt--musicians friend has em 2 for one. 64 bucks. Ive used em on snare and toms and so far i cant complain. They seem to sound pretty good and their built like a rock. Are they as good as a 57?...prly not but IMO their close and you cant beat the price.

Just a thought. Good luck.
 
The 57 is a workhorse. I bought one in 1979 and still use it. That said what are you using it into. For me, the 57 was a PA mic even though it does record vocals great if used right. Perfect for guitar cabinets, not so much for acoustic guitar just because of the low signal at a distance (dynamic mic).

I guess the question is what equipment does the mic go into?
 
Im going to have it running into a behringer eurorack ub1202 mixer, into a Behringer u-control uca 222 audio interface, which goes to my macbook (running garage band)
 
suggestion

zzounds has lots of little deals where they give you a free mic stand and cable with your mic. they must have an excess of mic stands laying around their warehouse or something. There are paired condenser mics from samson and behringer that are a great package deal, though I prefered the samson option. Your SM57 is also a great choice but I usually use that for close micing a guitar amp, or for stage vocals but not for recording vocals it's kind of touchy about distance and singers tend to move when they sing. Just a side not, I heard the first lenny kravits album, and the rolling stones 'steel wheels' album were done entirely with sm57s. I think one of those for your close miced instruments, plus some large diaphram condenser would cover all your bases, both for around 100 bucks, but if you look in the right place you can find package deals, 2-for-1 condensers, or free stands. I don't think the 57's sound is really any better than many other cheaper condensers but man those things are indestructable. You could pound a nail into a wall with it. The cheaper budget buy version (I think it's called a PG57 or some other letter combination ending with a '57') would probably sound about the same, if my experience with shure mics is adequate (I was a pro soundman for a couple of years, and I've used lots of dynamic mics - never noticed much difference in sound, just some are not as tough as others).
 
zzounds has lots of little deals where they give you a free mic stand and cable with your mic. they must have an excess of mic stands laying around their warehouse or something. There are paired condenser mics from samson and behringer that are a great package deal, though I prefered the samson option. Your SM57 is also a great choice but I usually use that for close micing a guitar amp, or for stage vocals but not for recording vocals it's kind of touchy about distance and singers tend to move when they sing. Just a side not, I heard the first lenny kravits album, and the rolling stones 'steel wheels' album were done entirely with sm57s. I think one of those for your close miced instruments, plus some large diaphram condenser would cover all your bases, both for around 100 bucks, but if you look in the right place you can find package deals, 2-for-1 condensers, or free stands. I don't think the 57's sound is really any better than many other cheaper condensers but man those things are indestructable. You could pound a nail into a wall with it. The cheaper budget buy version (I think it's called a PG57 or some other letter combination ending with a '57') would probably sound about the same, if my experience with shure mics is adequate (I was a pro soundman for a couple of years, and I've used lots of dynamic mics - never noticed much difference in sound, just some are not as tough as others).
There are subtle AND major differences to be found between dynamics.
CHeck out the Heil Audio Dynamic mics for instance! :cool:
 
Absolutely.
As an example, when I was first getting into recording, my band members and I were hating the guitar sounds that were getting recorded. We had some piece of crap cheap dynamics we were just throwing up in front of our amps and none of it ever sounded right.
So, we do some reading, learn how important mic placement is, start messing around with that, ultimately end up getting some sounds which are at least usable, etc...
Cut to six months later, one of us finally gets around to buying an sm57 (which you will eventually do if you keep recording, because they're everywhere).
Just thrown up in front of an amp to make sure it works when we first got it, on playback of the recording my guitarist said, "That just sounds like rock and roll."

Point being, there is absolutely a difference between the characters of different dynamic mics. The individual pickup patterns, internal eq, all sorts of crap define the sounds of different models of mic.
That 57 "sounds like rock and roll" because recording engineers have been using 57s to mic rock and roll guitarists' amps for years and years, and so rock and roll recordings have sounded like an sm57 for all that time.

Not saying you should or shouldn't get a 57 at this time, just making sure it's understood that there is a reason why every studio in the world has at least one sm57, while most of them don't have the buy one get one Samson condensers.
 
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