gullyjewelz
New member
OK here is the situation - u have just finished recording your cd. Its been mastered, manufactured (short run orders only) - and just hit the shelves.
You are beginning to set up a "promotions tour" [be it smallscale as hell - as you can only muster several dif. open mics in sev. dif. cities}
and you come across a new contact - producer/beat maker with especially hot, tantalizing music and he wants you to record it
every one is sitll "small time" - so any "deals" and negotiations are "minor" at best -
do you hold off on your promotions for your project (which had not taken off, but had started down the runway) so u can do some new, perhaps even better music with this new connect . .
or do you politick, negotiate some type of "get at me later" agreement and go full steam ahead with your original plan
this has happened to anyone? what did/would you all do ?
You are beginning to set up a "promotions tour" [be it smallscale as hell - as you can only muster several dif. open mics in sev. dif. cities}
and you come across a new contact - producer/beat maker with especially hot, tantalizing music and he wants you to record it
every one is sitll "small time" - so any "deals" and negotiations are "minor" at best -
do you hold off on your promotions for your project (which had not taken off, but had started down the runway) so u can do some new, perhaps even better music with this new connect . .
or do you politick, negotiate some type of "get at me later" agreement and go full steam ahead with your original plan
this has happened to anyone? what did/would you all do ?
