S
strangelove
New member
Hey all,
New to the forum, Got a year old mackie `12 channel mixer, bought new for 350$ only used in studio in great condition.
•
New ultra-low noise VLZ3 design with highest possible headroom
•
4 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
•
12 high-headroom line inputs
•
Advanced DC pulse transformer RF rejection
•
2 Aux sends, level, pan and PFL solo on each channel
•
2 stereo Aux returns + EFX to Monitor
•
3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
•
18dB/oct. 75Hz Lo-Cut filter on Mic input channels
•
ALT 3/4 stereo bus for added versatility
•
Control Room/Phones source matrix
•
Rack-mountable design using optional rack ears
•
Sealed rotary controls to resist dust and grime
•
New Multi-Voltage power supply for worldwide use
•
Rugged steel chassis
Looking for 150$ obo
New to the forum, Got a year old mackie `12 channel mixer, bought new for 350$ only used in studio in great condition.
•
New ultra-low noise VLZ3 design with highest possible headroom
•
4 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
•
12 high-headroom line inputs
•
Advanced DC pulse transformer RF rejection
•
2 Aux sends, level, pan and PFL solo on each channel
•
2 stereo Aux returns + EFX to Monitor
•
3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
•
18dB/oct. 75Hz Lo-Cut filter on Mic input channels
•
ALT 3/4 stereo bus for added versatility
•
Control Room/Phones source matrix
•
Rack-mountable design using optional rack ears
•
Sealed rotary controls to resist dust and grime
•
New Multi-Voltage power supply for worldwide use
•
Rugged steel chassis
Looking for 150$ obo
