Line 6 Guitar port still good?

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brenglen

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Hey guys,

Alright so i record a lot of my demos from home before I go to a professional studio but im still a little picky when it comes to sounds in demos. My guitar sound is awful, except for acoustic and rhythm guitar tracks so I talked to a lot of people and they recommended that id buy "Line 6 Guitar port" which according to them it's the closest thing for a professional studio quality for guitars. So I was wondering if you think thats the best option for a good quality guitar sound in recordings?

By the way, I use mixcraft 5.0 because Im pretty much sick of cakewalk (no offense) and it's becoming way easier using mixcraft then any other program. But again, if you think theres a better program i am all ears.

Thanks
 
Most people will tell you the best guitar sound is going to be from mic-ing an amp. I won't disagree, but sometimes that is not an option. You have not told us what your soundchain currently is.

The Line 6 Guitarport is just an interface. It comes with Gearbox software, also you should be able to get a version of Podfarm software downloaded for free (I did, but not sure they still offer it for free).
 
I use the Line6 Toneport UX8, and it has a lot of things to recommend it, but it's definitely not as organic sounding as a good tube amp mic'd up in a good room.

That said, the good things about it for me are that it makes it very quick and easy to get a "demo-quality" idea down. Line6 has something called tone direct monitoring that in my experience actually works very well and makes the playing/recording experience very enjoyable from a latency perspective. I'm not sure how the Guitar Port would integrate into mixcraft 5.0, but my UX8 is connected via USB to my Mac and the integration with Logic is smooth and sweet, and it never causes me to scratch my head and try to figure out why I'm not hearing what I think I should be, etc. That alone is HUGE for me, and again, it goes back to the fact that during the quick demo stage, it never gets in the way of the creative process. Also, speaking specifically about the Pod Farm Platinum software that came with my UX8, if you can dream it, you can probably dial it up with the unbelievable combination of amps, effects, cabs, mics, etc, that are available as models. That can be very useful in the writing/arranging/demo process, and certainly provides a sonic palette that's difficult if not impossible to match with physical equipment for all but the most serious collectors with deep pockets. It's a very intuitive and easy to learn interface too.

Now for the bad...it doesn't sound as good as a real amp. Period. You can tweak the sounds to your heart's content, which is fun and cool, and you can get close, but it's not quite the same. In my experience, most of the models and built-in presets have way too much distortion and way too much treble in their default configurations, so you can improve things immediately by just dialing those down a bit. Also, playing with the tone and/or volume knobs on the guitar itself can help.

So, if you are looking for good demo quality, and you like to tweak (and have time to tweak) I'd say it's a good fit. Is it drastically better than Amplitube or Guitar Rig, etc? Not sure, but probably not. I can tell you that I briefly owned a StealthPedal and Amplitube, and the sounds were ok, but the integration into my system was not nearly as smooth and intuitive as it is with my UX8, and in the end it was frustrating enough that I got rid of it and switched back...YMMV. Also, I haven't tried the Digidesign Eleven Rack but that is interesting with the way it supposedly reacts to the impedance changes coming from your guitar to the input. It could be worth checking out if you have that kind of budget.

You can hear the UX8 with Pod Farm in action on a couple of my tunes, specifically "Signs of Life" and "Falling Right In" (link below). I'm still learning to tweak, and not super thrilled about those tones, but it's an idea of what some of the relatively stock tones from the Pod Farm collection sound like.

Good luck with whatever you decide!

Best Regards,

Dave DeWhitt
www.soundclick.com/davedewhitt
 
Hey Dave

Are these all your own tunes or covers?


Good stuff!
 
Hi TAE,

Those are my tunes, thanks for checking them out. I'm hoping the fact that they sound like they might have been covers is a good thing and doesn't just mean that they sounds like rip-offs. :)

Best Regards,

Dave DeWhitt
www.soundclick.com/davedewhitt
 
I talked to a lot of people and they recommended that id buy "Line 6 Guitar port" which according to them it's the closest thing for a professional studio quality for guitars.

Do those people happen to smoke crack or huff a lot of glue?
 
I'd have to say it's good value.

I've got a UX-1 and UX2, and I'm happy with the functionality and variety of tones they can generate (in conjunction with the software).

Another nice function is the *vst plugins that integrate directly into Cubase and other DAW's that allow me to play with their effects on other tracks.

I doubt it would hold up to a room full of Marshall stacks, vintage Fender Tweeds, Mesa Boogies, rack full of Class A preamps, a stuffed mic closet, etc.

But bang for your buck, I think it's ok.
 
*If you record a demo and follow up with a trip to a studio to do the song right, why care at all about the guitar tone in the demo?

*The "closest thing for a professional studio quality for guitars" is certainly not an amp sim. What is wrong with your current tone?
 
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