M
mikemoritz
New member
Hey,
The drummer in my band gets killer tones out of his drums, which is great for live work, but when it comes to recording, he refuses to take his front drum head off (there's no hole in it either). This is partly because it sounds so kick ass and because he spends so much time tuning the thing. Anyways, I can't get any definition of the kick, just a wall of booming bass that sounds like ass. I've heard that it may be a possibility to mike the drum from the beater side, but I'm worried about pedal noise or bleedthrough from the snare and whathaveyou. Is the best option to take the front head off? (He complains that there's not enough resonation, but I try to keep telling him the rest of the recording usually covers up that resonation anyways.) Or should I try miking around front (beater side)?
Peace, love, and chicken,
Mike
The drummer in my band gets killer tones out of his drums, which is great for live work, but when it comes to recording, he refuses to take his front drum head off (there's no hole in it either). This is partly because it sounds so kick ass and because he spends so much time tuning the thing. Anyways, I can't get any definition of the kick, just a wall of booming bass that sounds like ass. I've heard that it may be a possibility to mike the drum from the beater side, but I'm worried about pedal noise or bleedthrough from the snare and whathaveyou. Is the best option to take the front head off? (He complains that there's not enough resonation, but I try to keep telling him the rest of the recording usually covers up that resonation anyways.) Or should I try miking around front (beater side)?
Peace, love, and chicken,
Mike