
vicenzajay
Member
Ordered a K-6 and a K-58 last week - they arrived in just 4 days and in good shape. Quick impressions:
K-6:
- Very impressive on female jazz vocals...easy to setup and easy to dial in...definitely a darker mic that sits very well on a clear female vocalist.
- The shiznit on electric guitar...granted, my experience for different mics on guitar cabinets is limited, but I was extremely happy with the sound of my electric through the Traynor CV-50 Blue and into the K-6. It just sounded fantastic....so very smooooooth and the notes were exceptionally clear yet not overstated. Hey, I'm a bassist, only play lead guitar occasionally for church, if my playing sounds good through this, anyone's playing will sound great.
- was NOT very impressive on male vocals (tried two different singers...tenor and baritone) - the mic didn't mix well with the male vocal timbre - sounded dull and uninspiring.
K-58:
- Very clear microphone...not sizzly and not overstated on the high end of the rf spectrum. I know I will probably do some tube rolling, but initially I was happy with a complete lack of graininess.
- Tried it on female vocals (cardiod pattern selected) - very clear and representative of the voice...sounded good. These are first impressions, and I haven't put it into a dense mix yet, so these "impressions" may very well be useless...there you have it.
- Tracked bass/guitar with it standing duty as a room microphone....did very well in this role with figure-8 pattern selected....added a nice ambiance track to the primary DI/mic tracks.
Probably not an exceptionally useful review given that the K-58 was not tried in a mix; however, I am (so far) pleased with the purchase. One extra note - I did use the K-6 at church on the guitar amp (we use clearsonic sorbers/panels for the guitar amps, so I could isolate the mic well and let it do it's "thing" with the signal) - it sounded fantastic in the mix (live though it was)....just super clear and smooth.
Jay
K-6:
- Very impressive on female jazz vocals...easy to setup and easy to dial in...definitely a darker mic that sits very well on a clear female vocalist.
- The shiznit on electric guitar...granted, my experience for different mics on guitar cabinets is limited, but I was extremely happy with the sound of my electric through the Traynor CV-50 Blue and into the K-6. It just sounded fantastic....so very smooooooth and the notes were exceptionally clear yet not overstated. Hey, I'm a bassist, only play lead guitar occasionally for church, if my playing sounds good through this, anyone's playing will sound great.
- was NOT very impressive on male vocals (tried two different singers...tenor and baritone) - the mic didn't mix well with the male vocal timbre - sounded dull and uninspiring.
K-58:
- Very clear microphone...not sizzly and not overstated on the high end of the rf spectrum. I know I will probably do some tube rolling, but initially I was happy with a complete lack of graininess.
- Tried it on female vocals (cardiod pattern selected) - very clear and representative of the voice...sounded good. These are first impressions, and I haven't put it into a dense mix yet, so these "impressions" may very well be useless...there you have it.
- Tracked bass/guitar with it standing duty as a room microphone....did very well in this role with figure-8 pattern selected....added a nice ambiance track to the primary DI/mic tracks.
Probably not an exceptionally useful review given that the K-58 was not tried in a mix; however, I am (so far) pleased with the purchase. One extra note - I did use the K-6 at church on the guitar amp (we use clearsonic sorbers/panels for the guitar amps, so I could isolate the mic well and let it do it's "thing" with the signal) - it sounded fantastic in the mix (live though it was)....just super clear and smooth.
Jay