Is the Kiwi Microphone, a good mic to buy?

  • Thread starter Thread starter MicFlo
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MicFlo

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the Kiwi off the BLUE microphones, im thinking about getting a job, and saving up for that mic, im just wondering is it good to buy, cause i want real good quality, and whats a good pre-amp to buy?


pz
 
MicFlo said:
the Kiwi off the BLUE microphones, im thinking about getting a job, and saving up for that mic, im just wondering is it good to buy, cause i want real good quality, and whats a good pre-amp to buy?


pz

Haha.. You're thinking about getting a job to save up for a kiwi mic??? Dude, you've got issues.
 
What do you mean he has issues... Some of us like buying gear with all our money...
 
Well, the Kiwi is the main vocal mic in my studio, and it rocks! No pad, no bass rolloff, just 9 patterns. I prefer ot on my voice to the U87ai. Consider the Dragonfly as a lower cost alternative. It is primarily a main vocal mic, but has many other applications. Frankly, the most useful mics I own are the Kiwi, AKG C414B-ULS, and the Studio Projects C-4's.-Richie
 
MicFlo said:
...im thinking about getting a job, and saving up for that mic...

pz

That is one of the funniest things I've ever read on this BBS.:p

No offense intended. You must still be in highschool. If you can manage a KIWI and similar quality preamp, you will have a better setup than most of us old farts.
 
Say, I just listened to some of your stuff.

It's really good.

Love your lyrics. Far more advanced than what I'd normally hear from dudes your age.

Honestly, though, given the style of music you're doing, I'm not sure that an expensive mic is really what you need at this time.

Especially something like the BLUE kiwi, which I might normally associate with typical pop music-type crooners. Not necessarily the more aggressive/expressive style rap vocal. For that style, you almost want something a little less forward so as not to accentuate the heavy esses and consonants of your voice to the point that it may wind up sounding harsh to the ear. A common catch-22 type pitfall with a lot of condensers, even the better, more expensive ones.

Honestly, if I had your voice and vocal / lyric style, I would work on the rest of my signal chain -- starting with my tracking room accoustics, working my way through the mic pre to the signal processing on down the the monitors and mixdown environment. Then I might worry about saving for a better mic, but only after I felt very comfortable with my recording/mixing knowlege. And even then, I might have a look at some good dynamic mics -- think Shure SM7, Electrovoice RE20, etc. Come to think of it, the RE20 would be a great fit for your style.

Good luck.
 
MicFlo said:

That explains it. Sorry, I assumed you were like most guys around here. Older than software pirate lbcstudio but younger than old fart, Harvey.

even if you don't get the kiwi, getting a job might still be a good idea. you could save up for somethin' else.

kt
 
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