Hi Jay,
I agree with Clark- that was among the most intelligent posts I've ever seen. Thanks. You have my respect, as well.
Lost Studios,
Let me see if I can sum up the issues around Pro Tools at the moment. Digidesign has several new products that came out around the same time. The 002 and
002r are widely hailed in the industry as great pieces or gear, but that is compared to what was availible for low end Pro Tools systems before them: the mbox and the 001. IF you are set on Pro Tools, the cheap way in just got WAY better.
They also have the HD and Accel systems (Mega $$$!!) that there is a LOT of hype about right now. Justified hype, for sure, but there is also a resulting *buzz* about Pro Tools in general that is not accurate. Pro Tools LE is a fairly full-featured audio app, and offers key compatibility with Pro Tools HD and MIX systems in larger studios, BUT...
But, it is beginning to fall behind in terms of what is availibe to low budget recordists who need the most bang for the buck.
So lets look at the varieties of "bang for buck."
Chances are, the bands you are recording will also have heard the same *buzz* about Pro Tools. In this case, even having Pro Tools LE lets you use the Pro Tools name in your advertising, as well as something like "Your session files will be capatible with full scale studios" or some such. If you are doing this as a business, the name recognition might not hurt.
Another aspect of it is that knowing how to use Pro Tools LE is actually a marketable skill. Part of how I got my job managing a studio that includes a Pro Tools MIX system is that I know PT inside and out. I started with a 4-track 16 years ago, then n-track, then Cubase. Once I had the opportunity for the job, I bought a 002 and all those skills transfered over to Pro Tools and I landed the job in about 6 months. Without the knowledge of Pro Tools I coudn't have gotten the job, regardless of 16 years recording experience.
All that being said, if your clients don't care, you can actually get a bit more out of your hardware and software if you go a different route. PT LE does NOT include some features that make working with video easier and leaves out surround sound. I *highly* reccommend that you explore working with video and surround as soon as you can as these are skills that will likely be required of engineers in the near future. I do my surround work in Cubase SX using the 002 as an interface. I do my video work in PT LE anyway, as the features they leave out aren't neccessary for the work I do.
Lost Studio's comment is right on in that $1200 is a lot of cash for what might not be the best system your money can provide. Then again, if you're doing it as a business, it MIGHT be the best use of your money.
You might ask some of the people you peviously recorded if they would care if you had a Pro Tools studio or not.
As for your specific requirements, the somewhat weak MIDI features in Pro Tools probably won't affect you. With version 6, Pro Tool's MIDI implementation recieved a nice upgrade and its 8fairly* competitive. We use it at work for MIDI heavy hip hop recording and it does and excellent job.
The 32 track limit also probably won't affect you much with the computer that you have, as well. I've recorded several fairly big projects and never hit the limit. There are also ways around such things that recording engineers have had to do for years, anyway (like submixing drums to a stereo track, then making the original drum tracks inactive. You can always remix them later, if needed.)
In short, if you do decide on the Pro Tools system, you aren't missing out on all that much that is currently availible with other systems. But you will be missing out on some.
Its a tough decision, for sure, but only one of many that you will be facing as a business owner.
take care,
Chris