
WATYF
...happier than you.
I need some advice regarding a song I wrote for an album my youth band is doing. I'm having a dilemma regarding how to make it work with my vocalist(s)... (actually,.. a couple dilemmas) here's the deal.
I wrote a song this past week and I posted it in This Thread Now,... The guitar lick (that the whole song is based on) was the very first thing written... so the melody was basically written around an existing key. (the key of the guitar lick, "E") The problem is,.. this is just at the very edge of my range, so I can't sing it like I want to. The way I want it to go is like this. After the "daaaays" part, the "you alone..." part is supposed to be an entire octave higher than I sing it on the recording... that part is supposed to be even more driving than the first part of the chorus, but I can't hit those notes an octave higher, so I have to sing them "low". Now,... If I drop the key of the song a step or so, I can sing it like I want, but... then the guitar lick doesn't sound nearly as good (cause it's in an E based formation)... that's problem number one... Whether to choose in favor of the "lick", or the "melody".
Problem number two is,.. for the CD we're making... we only have two vocalists to work with... a male, and a female.
The male vocalist would have to sing it just like you hear it now, (with that melody "dip" in the middle of the chorus right after "daaaaays") OR we'd have to change it to another key so he can sing the whole chorus up high. (Like I want it to go.) but once again, then the lick gets sacrificed and we'd have to think of some other way the chord it.
The female vocalist is the primary vocalist... and she wants to be able to sing the song... BUT... it was written in a "guy's" key.. so when she sings it, she has to sing the verse high and the chorus low.. (the exact opposite of the original recording, which has a low verse and high chorus) This detracts from the dynamic of the song... (i.e. you hit a high point of the song where all the instruments build up and then crescendo, and yet the vocals go "lower".. it just doesn't fit). So.. in order to fix this, she's wanting to maybe change the melody of the chorus to a harmony line that isn't so high,.. that way she can sing it somewhat high (instead of a low version of the original melody)... but that way,.. it doesn't sound like a melody anymore... it's obviously a harmony.. and you feel like something's missing.
So... in summation... here are my choices.
1) Leave it the way it is and make the male vox sing it.
2) Lower the key so the male vox can sing the chorus like you want to (at the expense of the guitar lick)
3) Let the female vox sing it with a high verse and a low chorus
4) Let the female vox alter the original melody of the chorus to a harmony so she can sing it somewhat high.
5) Sign-off on the song and just let them change it however they need to.
6) Put it back on the shelf until I have the resources to do it right.
Sorry if this is confusing, but we're having a pretty tough time coming to an agreement on what to do aboot this. Please vote and let me know what you think I should do... Thanks.
I wrote a song this past week and I posted it in This Thread Now,... The guitar lick (that the whole song is based on) was the very first thing written... so the melody was basically written around an existing key. (the key of the guitar lick, "E") The problem is,.. this is just at the very edge of my range, so I can't sing it like I want to. The way I want it to go is like this. After the "daaaays" part, the "you alone..." part is supposed to be an entire octave higher than I sing it on the recording... that part is supposed to be even more driving than the first part of the chorus, but I can't hit those notes an octave higher, so I have to sing them "low". Now,... If I drop the key of the song a step or so, I can sing it like I want, but... then the guitar lick doesn't sound nearly as good (cause it's in an E based formation)... that's problem number one... Whether to choose in favor of the "lick", or the "melody".
Problem number two is,.. for the CD we're making... we only have two vocalists to work with... a male, and a female.
The male vocalist would have to sing it just like you hear it now, (with that melody "dip" in the middle of the chorus right after "daaaaays") OR we'd have to change it to another key so he can sing the whole chorus up high. (Like I want it to go.) but once again, then the lick gets sacrificed and we'd have to think of some other way the chord it.
The female vocalist is the primary vocalist... and she wants to be able to sing the song... BUT... it was written in a "guy's" key.. so when she sings it, she has to sing the verse high and the chorus low.. (the exact opposite of the original recording, which has a low verse and high chorus) This detracts from the dynamic of the song... (i.e. you hit a high point of the song where all the instruments build up and then crescendo, and yet the vocals go "lower".. it just doesn't fit). So.. in order to fix this, she's wanting to maybe change the melody of the chorus to a harmony line that isn't so high,.. that way she can sing it somewhat high (instead of a low version of the original melody)... but that way,.. it doesn't sound like a melody anymore... it's obviously a harmony.. and you feel like something's missing.
So... in summation... here are my choices.
1) Leave it the way it is and make the male vox sing it.
2) Lower the key so the male vox can sing the chorus like you want to (at the expense of the guitar lick)
3) Let the female vox sing it with a high verse and a low chorus
4) Let the female vox alter the original melody of the chorus to a harmony so she can sing it somewhat high.
5) Sign-off on the song and just let them change it however they need to.
6) Put it back on the shelf until I have the resources to do it right.
Sorry if this is confusing, but we're having a pretty tough time coming to an agreement on what to do aboot this. Please vote and let me know what you think I should do... Thanks.
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