DrewPeterson7
Sage of the Order
tl;dr - the Warm Audio Mystery Box sale, where I got the one and only mic I didn't need, a WA14, and ended up giving it to my dad, ultimately didn'y scratch the "new studio gear" itch, so I sarted thinking about some sort of a U87 clone as an alternate mic on my acoustic, and one maybe a little better suited for single note lines. I was reasonably impressed with the WA14 for the money in the short time I had it, so when one of their authorized dealers did a B-stock sale with cosmetic blemishes but functionally guaranteed for $200 off, I decided to jump on one.
First off, a very nice looking mic:
Only cosmetic damage I could see was a tiny (3mm?) C-shaped scratch where the matte finish was scuffed to a gloss, and a faint hairline scratch on the (surprisingly nice) wooden case.
Impressions, from opening it and farting around for 20 minutes:
tiny bit of plate reverb and then a Boz Labs Wall 2 to boost it up to "commercial" value, no EQ.
So, the two questions:
(Oh, and also, I couldn't tell you at gunpoint how it compares to an OG Neumann beyond "probably in the right ballpark" based on some of the comparisons I've heard. In a vacuum I'd love to own the real thing, but at nearly $4k, for a guy who doesn't sing, records instrumental guitar rock, and wants something for acoustic solos and melody lines, there's no way I'd get my money's worth out of one. And for the price I don't mind putting it in front of a loud guitar amp to see how it does there. End of the day, it's a cool looking mic that has an overall "color" that was pretty much what I was hoping to hear, and it'll be a fun tool to have in the arsenal).
First off, a very nice looking mic:
Only cosmetic damage I could see was a tiny (3mm?) C-shaped scratch where the matte finish was scuffed to a gloss, and a faint hairline scratch on the (surprisingly nice) wooden case.
Impressions, from opening it and farting around for 20 minutes:
- I've never held a real Neumann U87, but this thing is HEAVY. I was surprised. Very substantial.
- It could be my imagination, but it seems to have a stronger proximity effect than most mics I've used? It has a very pronounced increase in the "punch" to the low end as it gets closer to the body of my guitar.
- It seems to favor a slightly different position than the se4400 or VR1 I've mostly used on my acoustic in the past - the neck joint 14th fret still works very well, but whereas usually I've had good luck with a mic level and head on there, maybe angled slightly towards the body, here it sounded better to me a couple inches above that point, angled down a little.
tiny bit of plate reverb and then a Boz Labs Wall 2 to boost it up to "commercial" value, no EQ.
So, the two questions:
- IS it my imagination, or do different condenser designs sometimes have different sensitivity to proximity effect and a Neumann-style mic tends to be stronger than average?
- The storage case is very nice, but only large enough for the mic. The box it all came in, meanwhile, is huge, and a little larger than I'd prefer to keep. For those of you with extensive mic collections, do you usually store them in the boxes they came in or just anyting that had a storage case leave it in there, but hardware like shock mounts leave loose? Genuinely curious.
(Oh, and also, I couldn't tell you at gunpoint how it compares to an OG Neumann beyond "probably in the right ballpark" based on some of the comparisons I've heard. In a vacuum I'd love to own the real thing, but at nearly $4k, for a guy who doesn't sing, records instrumental guitar rock, and wants something for acoustic solos and melody lines, there's no way I'd get my money's worth out of one. And for the price I don't mind putting it in front of a loud guitar amp to see how it does there. End of the day, it's a cool looking mic that has an overall "color" that was pretty much what I was hoping to hear, and it'll be a fun tool to have in the arsenal).
