I run CEP 1.2 what am i missing out on?

  • Thread starter Thread starter Jimbo Jones
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Jimbo Jones

Jimbo Jones

smells like ramen
so i've got the older version of CEP, it's version 1.2
am i missing out on anything great that is in the newer versions and/or adobe audition?
i am pretty happy with how it works, just curious. i don't have the cash to buy new software now anyways.
anybody out there that has tried the newer versions and gone back to an older version?
 
Real-time Effects
Many of Cool Edit Pro’s Effects (which were called “Transforms” in previous versions of Cool Edit Pro) can be applied non-destructively to tracks in real time, instead of having to add them to the waveform in Edit View. Real-time Effects include all of the Delay effects, plus Dynamics Processing, Hard Limiting, Distortion, Convolution, Stretch, several Amplify and Filter effects, plus all DirectX effects.

Track Effects Racks
Now each track has its own virtual rack of real-time effects at your command. It’s simple to apply any and all of the effects you want to a track just by clicking on the new FX button in either of the three panes in the Track Controls part of the Multitrack View of the Session Display.

Busses
Just like many real-world mixing consoles, Cool Edit Pro now lets you group tracks into busses and add real-time effects to each bus. For instance, you can combine all of your background vocal tracks into one bus and then apply Full Reverb to the bus. Up to 26 busses are at your disposal.

Real-time EQ
Add non-destructive equalization to each track or bus using Cool Edit Pro’s new Real-time EQ controls, located in the Track Controls area of the Multitrack View’s Session Display.

CD Ripping
Importing a CD track into Cool Edit Pro is as easy as opening a .wav file – and we give you two ways to do it. Use File > Open to “rip” a .cda file from an audio compact disc, or use the new File >Extract Audio from CD dialog.

File Looping In Multitrack View
By popular demand, file looping is now possible in Cool Edit Pro’s Multitrack View, complete with session tempo and key matching.

Mixers Window
For those that would prefer an interface that mimics a real-life mixing console, Cool Edit Pro’s slick-looking Mixers window is a great alternative to our normal Session Display.

MIDI Playback Support
MIDI files may now be added to Multitrack View so that you can sing or play along to your favorite MIDI-based tracks.

Video Playback And Saving
Cool Edit Pro can extract the audio from many popular types of video files for editing. When you’re done making your changes, you can save the new audio back to the video.

SMPTE/MTC Master Capability
Cool Edit Pro no longer has to settle for being just a “slave” to SMPTE- and MTC-enabled devices – the program can now act as a time code master as well.
 
New Customizable Interface
Cool Edit Pro 1.x was pretty snazzy looking, but it doesn’t hold a candle to the slicker-looking interface of version 2. Not only is the program now drop-dead gorgeous, its interface is fully customizable, complete with dockable windows. This means, for example, that just because we put the Transport Controls window “down there” doesn’t mean you have to leave it there! You can rearrange many of Cool Edit Pro’s interface components to suit your taste or the needs of your project.

Organizer Window
One of our favorite new parts of the Cool Edit Pro 2 interface is the Organizer Window, which replaces the Waveforms List from version 1.x. It’s not visible by default, but we recommend you turn it on from Cool Edit Pro’s View menu or by hitting the Alt+9 key. The Organizer window features tabbed areas for keeping track of opened files, effects (both Cool Edit Pro’s and all of your system’s DirectX effects), and favorite settings – and of course, drag-and-drop is built in.

Gradient Level Meters
The solid red Level Meters in Cool Edit Pro 1.x were – how can we put it nicely – just “plain”. You won’t be able to say that about the more colorful Level Meters in Version 2, which start out as a soothing shade of green and smoothly transition to yellow and red as you move up the dB scale.

Group Waveform Normalize
If you’re planning to produce multiple cuts for a single CD or other entertainment medium, you’ll love Cool Edit Pro’s new Group Waveform Normalize feature. (You’ll find in on the Edit menu in both Edit and Multitrack Views.) Using a simple three-screen batch process, you can quickly normalize the volume of multiple waveforms to a consistent loudness

New Effects
We’ve added several new Effects (formerly called “Transforms”) to Cool Edit Pro’s already impressive arsenal of audio manipulation tools.

The Doppler Shifter effect can create the “fly by” sounds usually associated with cars racing by or airplanes flying overhead.

Use Dynamic Delay to change the amount of delay over the length of a waveform.

Dynamic EQ is similar to Dynamic Delay, except it lets you apply equalization dynamically to the waveform.

Adjust the phase of a waveform by adding control points to a graph with Cool Edit Pro’s Graphic Phase Shifter effect.

Stereo Field Rotate allows you to graphically adjust the stereo field of an audio file as it moves forward in time.

Improved Keyboard Shortcuts
Our Keyboard Shortcuts dialog has been completely redesigned and expanded. Now adding or changing a Cool Edit Pro PC or MIDI keyboard shortcut is easier than ever. Plus, you can create shortcuts to activate your DirectX plug-ins.

Faster Editing
If you like working with Cool Edit Pro’s Undo feature turned on, you’ll be delighted to know that you no longer have to wait for an “undo” to be created when you apply an effect
 
Wave Display Right-Click Menu
The Edit View’s Wave Display now has a right-click menu. However, if you prefer Cool Edit Pro 1.x’s way of using the right mouse button to extend the edges of selections, you can turn the menu off in Options > Settings by checking the “Right-click extend selection” box. Or, you can keep the right-click menu on and use the new shortcut of Shift+Left-click to extend selection edges.

Wave Properties
We’ve beefed up our View > Wave Properties dialog (formerly called “Wave Information”) to include room for much more data including a waveform’s looping info and support for EBU (European Broadcasting Union) extensions.

Phase Analysis
Joining the improved Frequency Analysis tool on Cool Edit Pro’s Analyze menu is the new Phase Analysis window. Now you can check those stereo waveforms to make sure they’re “in phase”.

Easier Batch Conversion
Cool Edit Pro’s new Batch File Convert dialog (you get to it from the Edit View’s File menu) makes it a cinch to convert multiple sound files from one format and/or sample type to another. (If you’d rather continue to use the Scripts & Batch Processing window for this, don’t worry – it’s still there on the Options menu.)



Multitrack View
More Tracks
We’ve doubled the number of tracks in Cool Edit Pro’s Multitrack View. Now you have access to up to 128 stereo tracks to master your next production or musical masterpiece.

More Envelopes
Along with the Pan and Volume Envelopes from Cool Edit Pro 1.x, we now have three more types of envelopes. Wet/Dry Envelopes give you total control over the amount of effects applied to a track, while FX Parameter Envelopes are used to govern the amount of dynamic effects (for example, Dynamic EQ and Dynamic Delay) used on a track. Also, MIDI blocks can have non-editable Tempo Envelopes displayed on them that matches their tempo map.

Block Edge Dragging
You can now drag the edges of waveform, MIDI, and video blocks to non-destructively trim the part of a block that gets played. This feature is especially handy when looping.

Multitrack Session Information
We’ve expanded the Multitrack Session Information window to include tempo and key information for looping.

Frequency Band Splitter
There’s a new “Multitrack only” effect in Cool Edit Pro 2. You can use the Frequency Band Splitter to take a selected waveform block (or a highlighted portion thereof) and make up to 8 copies of it, with each copy assuming a different frequency range of the original.

Built-in Metronome
Keeping time in Cool Edit Pro is a breeze with the new Metronome function, which, of course, is fully customizable. We’ve even included several sets of metronome sounds.

Vertical Portion Bar
The Vertical Portion Bar (which by default appears to the left of the Track Controls) not only lets you scroll through the number of tracks visible in the Session Window, but allows you to zoom in and out on those tracks with ease. This lets you display just one track, a few tracks, or as many tracks as your screen resolution supports.

US-428 Support
Cool Edit Pro now supports the US-428, a hardware control unit from Tascam that’s also a USB sound card.



Changes
Envelope Editing
Can’t make the Volume or Pan envelopes work like exactly like they did in Cool Edit Pro 1.x? Their behavior is slightly different in version 2. In order to get the points to appear on envelopes, make sure you first click on the wave block to give it focus; then you can edit the envelope points. (This behavior was changed to make it harder to accidentally click and create or move envelope points.)

Multitrack Insertion
Right-clicking in the Multitrack View’s Session Window and choosing the “Insert” item from the menu no longer produces a direct list of all open waveforms. Instead, there’s an item called “Existing File/Cue” which, when clicked, pops open a floating “Insert Into Multitrack” window. This small window lists the open waveforms and allows you to drag them to the desired track(s). If the waveform’s name has a plus sign next to it, this designates that it includes cues. Click on the plus sign to expand the file to see all the cue ranges, which can then be added directly.

Multitrack View Master Volume
In Cool Edit Pro 1.x, a master volume control appeared at the top of the Multitrack View’s Session Display. If you want to control a session’s master volume in Cool Edit Pro 2, you’ll need to use the new Mixers window. To activate it, go the Multitrack View’s View Menu and click “Show Mixers Window”. Docking the Mixers window to any of the side docking points (such as just to the right of the Session Display) will cause only the master volume slider to appear by default.

Splice/Split
The “Splice” function in the Multitrack View is now called “Split”.
 
These are the updates from 1.2 to 2.0. There are additional updates from 2.0 to 2.1 (which I can no longer get ahold of) and from 2.1 to Audition (which Im not yet interested in getting ahold of)

I think Dobro uses both 2.1 and 1.2 depending on his mood, and Chris Harris might as well (sorry if Im mistaken, Chris)
 
Dobro uses 1.2 for tracking, because 2.1 doesn't sync new tracks to old ones on his system, and then he uses 2.1 for mixing for many of the very real advantages it has, all of which Chrisjob described in loving detail above. Damn, that was a mini-dissertation, Chris!
 
wow thanks a lot chris, that was some detail.
it sounds like i am missing out on a lot.
i guess i'll see how cheap i can find the newer version.
i do like 1.2, but it would sure be nice to have some non-destructive effects.
a new interface sounds nice too.
thanks too to dobro for the post.
 
huh?
is there a hidden pong somewhere
or am i just a sucka?
 
Don't give me too much credit.... all I did was copy the WHAT'S NEW IN 2.0 from the help file :D

-Chris
 
Oh, so you don't know! Yea, Syntrillium included a nice big easter egg with CEP 1.x.

Here's how:

1. Open cool edit....click Help...and About Cool Edit
2. Drag the pink center of the flower around and see what happens.

have fun!
 
interesting...
no pong but i got some audio clips to play
thanks.
 
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