Okay, okay,... then,...
I beg your pardon.
He asked a fairly simple question, and you threw a whole other spin on it.
He's not even started on the 4-track Portastudio, and had a simple, concise question. Right out of the box, you're telling him it's money wasted, sounds crappy, etc., etc. That may be your opinion, okay, but it's discourteous to Mr. C, it didn't answer the question, and I wholeheartedly disagree.
He can do what he wants with a simple cable, computer and software setup, bypassing all that stuff about multi- sound cards and multitracking on the puter, altogether.
You are happy with your 'puter recording environment, and you gave your best recommendation. I appreciate you were trying to be helpful, but I resent the broad brush you used to paint 4-track cassette Portastudios as inadequate or a waste.
You can get respectable sounds out of a Portastudio, and it's not a waste. 4-tracks is often enough, but not all Portastudios are alike. There are your high end Tascam Portastudios, and your low end Portastudios & Ministudios.
Those non-Tascam porta-'s? Forget about it,... [MO] they're almost all crap, probably with the exception of
the Yamaha MT-120, and even still, that's only equivalent to a 414mkII. I'm no fan of Fostex cassette multitrackers, [MO] the 260 or 380 probably being the best, but Fostex has some other gear I like, [OT].
The question was about a 424mkII, [implied], and I intended my answer to speak to that. What 4-trackers you have, or why they're collecting dust is not relevant to the question.
He's scored his setup, and has scoped his projects toward a certain thing. Some people prefer an analog solution, and prefer not to record primarily on the computer, for functional and esthetic reasons.
I'm sorry if I was rude. I'm sorry that I popped off at you.
This post has mega-edits to take out all offensive language and references.