rgraves said:
Hmm, on another note, as I gain more experience I find it often misleading to insist that Britney Spears,Madonna, Ashleigh Simpson and such are all autotuned to death or whatever. Don't get me wrong, I can't stand any of the music they come up with, I am after all in the metal genre of preference, but it's not like they can't hold a tune to save their life.
Well, OK, maybe "can't hold a tune to save their life" might be just a tad extreme, but not by much. These people are not signed for their musical skills, they are neither musicians or vocalists. They are
performers packaged to sell records to a demographic. They are the 21st century version of The Monkees without Michael Nesmith, Peter Tork and Davy Jones

. Frankly their producers couldn't care less if they can sing or not, so long as they're photogenic, can learn a few dance moves, and are liked by teenagers spending on their daddy's credit cards.
Seriously, listen to just how the the vocals are produced these days. The New Mousketeers and their like typically get a shitload of hyper-compresed and autotuned or chorused layers stacked together with a ton of background vocals by Nashville Kittens who *can* sing, and the lead vocal style is barely sung; with almost no sustained notes, glissandos, etc.
Compare that with gals who can actually sing (whether we like their style or not) like Celeine Dion, Carrie Underwood, etc. They still get the hyper-pro packaging and promotion treatment, but their vocals are left relatively alone, they actually hold a note for longer than a syllable, and the backup singers are there to back them up, not to cover their asses. They can actually sing.
Those that can sing are left alone (not counting the normal and usual amounts of compression and EQ that come with the territory.) Those that can't sing are processed to sound like mellotrons with nameless human accompaniment, and are not really singing any more or better than your average Sally Housecoat. The amount of vocal processing is a litmus test that is in direct inverse proportion to the performer's ability to actually sing. The heavily processed ones are often not processed that way for style so much as they are to cover the fact that they can't sing.
G.