You really can't even start to guess at EQ settings based simply on male or female. My wife, for example, has a voice lower in pitch than the majority of men and sings at the low end of baritone. On the other hand, there are quite a few males singers with relatively high voices.
However, more to the point, you probably don't want to doing too much EQ on the way in. Channel EQ is used mainly in a live situation to correct specific problems as a voice interacts with the PA system. For example, the sort of hairline miking we use in a theatre can make a voice a bit honky/boxy on anything less than a great PA. If so, I may apply some cut in the 4-500Hz range (sometimes, but rarely, going up to 800 Hz).
However, despite having a mixer that gives me 48 channels of 4 band parametric (ALL with Q and frequency adjustment) I rarely, if ever, use them when doing studio recording. I prefer to do any adjustment later, during the mix. If there's a sound I don't like while tracking, I'm more likely to try and fix it through a change of mic placement or placement within the room (or maybe a change of mic).