How do you mic a SITAR????

  • Thread starter Thread starter Franky 2000
  • Start date Start date
F

Franky 2000

New member
i posted a new thread on this forum about microphones used to mic a bass amp. Got some great responses thanks guys for your help!! :D

I am also going to be recording a sitar soon and wondered whether any of you guys have had experience with the instrument and what mics and techniques i should use to get the best results???

Cheers! :cool:
 
Since you are not buried in responses I will take a stab at this, but, my only experience in micing is with harp & guitar so take this for what you will. As I remember the sitar it has commonalities with the harp in that it has a large body & long strings. For the harp I found one of the main problems was getting a good balance between the upper & lower registers, it was very easy for the lower registers to dominate the recording. The other problem is that if you close mic on the strings, the strings that you are closest to now have an over emphasis. My solution was to mic high, (roughly the top of the harp) with the mic pointed toward the top of the sound board, parallel to the strings, and close to the top of the harp. With the sitar being played horizontally (correct?) I would use a set of isolation style headphones while playing with the mic placement. I found the mic placement to be quite constrained on the harp (guitar seemed very easy comparatively), which did not allow for normal mic placement to get the best sound (I quickly gave up the thought of using any stereo mic techniques)

You could also look at what other people have posted for recording other string instruments to see what might apply

best of luck
 
yo I have a sitar and have recorded it before.

I used a condenser mic.

the main problem you will run into is that sitars are very low volume. so you need a ton of gain. while recording, I was able to hear cars 3-4 blocks away in the headphones. in the mix, this didn't really matter. but plan on using a ton of gain and also compression.

you can try to use the 2:1 rule, but if the levels are not good, go ahead and move it closer.

also,
sitar players sit on the floor, so plan for that.

also - it might take the guy a while to get it in tune with the song, but it is very important that the sympathetic strings are in tune with the rest of the music.
 
I have a sitar which I've recorded.

Condensor mics, I would think a pair of small membranes would work best. I used one large membrane but didn't totally capture the magic of the instrument.

I wouldn't worry about any proximity effect or boominess like you could have with an acoustical guitar (no soundhole and not many low frequencies). Do keep in mind that the instrument has a very big range in terms of where the sound comes from. Try an A-B mic setup with alot of space between the 2 mics, say, 1 mic near the left hand and one near the right hand (that should leave at least a meter between the mics). Also, sitars resonate amazingly (not in a bad feedbacky kind of way) so try mics that can capture as much detail and dynamic as possible (I doubt any dynamic mics would work).
 
Hey guys.

Cheers for the help!!! ;)

Can you explain to me what an A-B mic setup is?? And what the 2:1 rule is??


Thanks :D
 
Just a quick bump, incase someone has anymore info they can give me!

Many thanks ;)
 
Franky 2000 said:
Hey guys.

Cheers for the help!!! ;)

Can you explain to me what an A-B mic setup is?? And what the 2:1 rule is??


Thanks :D

i think the other guy meant the 3:1 rule..but maybe its another rule i dont know anything about??

anyway just in case
3 to 1 rule: when stereo mic'ing, the distance between the mics must be at least 3 times the distance between the mics and the sound source. this in order the reduce phase problems to a minimum
 
Since a sitar is such a large instrument, you probably won't have any trouble making sure the mics are more than 3x further away from each other than they are from the source. Just point the mics straight at the sitar part.
 
Back
Top