Don't have any recordings of it available at the moment. The project files and mixdowns are all off on a hard drive in another city.
As for the mics...
Snare: Used either a Shure SM57 or
a Shure Beta57. Very similar, but the Beta picks up a little more of the sharp crack if you have the snare tuned to that.
Kick: Shure Beta52. Took a bit of EQ'ing because the kick on the MX (and probably CX) tends to be a little bit boomy even with padding and different heads, so we actually had to drop the low freqs a very little bit on that track.
Overheads: Have used either a pair of Shure SM81's or a pair of M-Audio Solaris mics. I like the tone of each, but they are pretty different. The SM81's picked up a lot of the sparkle in the cymbals (we used Zildjian A Customs, so they're really bright), while the Solarii had a darker tone and picked up excellent clarity on the toms.
We didn't use any close mics on the hats or the toms because both sets of overheads did a phenomenal job both in tone and balance on the overall kit sound. Some time I want to try using the SM81's as the overheads and put a Solaris out in the room (it's a big room) in either cardiod or omni mode and see what that gets me.
REALLY pay attention to the heads you put on the kit. I'm using all Evans heads and they've been great for me. On the snare, I've got a Power Center Reverse Dot batter head and a Snare Side 300 Hazy snare head. The toms are all running Genera G2 coated batters and General G1 clear resonants. The kick has EQ3 clear batter and resonant heads.
I can't stress this enough....TUNING IS CRUCIAL. You can take the best kit and mics in the world, and if the kit's not tuned it can (and probably will) sound like crap.