shookiejones said:
You might have had a tough time with the drums, but that snare sound was worth the trouble. Very nice. How and with what did you mic that?
I think you could bring up the bass drum up a bit.
The Bass guitar sounds a little bit "blown out" in places...not in a consistent distortion sense but like it may have peaked at some points...could be these so-so speakers I am listening through though.
Maybe come down with the "whisper" layered vocal (underneath the main vocal track) a little bit
Real nice solo and harmony guitar sound too.
Good job
Thanks for the feedback!
The snare is the standard SM57 deal. Nothing special, except that we gated the snare mic a ton, added some verb to the track, and EQ the heck out of it to fit. We had to cut a lot on the EQ, as it was really overpowering the mids when we didn't. We also had to bring down the overheads a ton due to the snare sound. Most of the snare's "crack" sound comes from the surrounding mics, not the snare mic.
The kick drum was the biggest pain in the @ss of them all. Total turd. We tried to polish it up as much as possible, but the basic track sounds awful and cannot be polished any more than it is. During the recording session that these drum tracks were from, we recorded 17 tunes worth in 5 hours. Yup, 17 tunes in 5 hours. We learned a lot about mic placement in the aftermath and next time we'll be a bit more careful with micing the kick. The lesson we learned: It matters WHAT you record to tape, you cannot polish a turd, not even a kick drum!!
The guitar solo was recorded backwards, all one take, and was my first attempt at this technique. It took a few takes to get it to sound perfect backwards, but it is one continuous take without any punch-ins! The real pain has been for me to learn to play the solo backwards (in relation to how it was recorded) to play the song like. This is really one solo I can say that I know forwards AND backwards!!
There is no whisper track on the vocal track, just an all-out balls-to-the-wall compressed "quiet" lead vocal. We wanted to keep the breath sounds to add to the overall spooky, unsettled, psychotic feel to the tune, like some guys who's sitting in a dank basement or cellar trying to come to terms with what he's just done. Sounded too "pretty" when we cut them out.
Thanks again!!
-mr moon