
kcearl
I see deaf people
what are the best sub $200 ones?
are these good for home studios..pros cons?
thanks
are these good for home studios..pros cons?
thanks

thanks guys I look into both...
is a AT 2010 any good?
or does anyone have any experience with a PL84 or a DS-V9??
And Moresound- there's nothing "squeaky" about either of the above mics...
And Moresound- there's nothing "squeaky" about either of the above mics
For *new* in that price range- hands down-B.L.U.E. enCORE 300. For my money, I'd be looking for a used AKC C535EB. Here's an ebay "buy it now" for $129:
http://cgi.ebay.com/AKG-C-535-EB-CO...804?pt=LH_DefaultDomain_0&hash=item45f6eb08ec
It beats the hell out of a Beta87, etc.
And Moresound- there's nothing "squeaky" about either of the above mics, unless you've got a squeaky singer. Frankly, I wouldn't recommend condensers for live use with a band. They work best on a pop live sound stage, where you control the acoustics, and the singer is featured, a la American Idol, or for solo performance or small acoustic ensembles in smaller venues. They are the weapon of choice for many top folk artists. IMHO, the C535 is the best of the lot, short of a Neumann KMS104. I've never used the AT mic referenced above, but if it has the same capsule as an AT2020, that is not a particularly good omen. YMMV.-Richie
"squeaky clean"...???
Hey kcearl...you planning to sing in the shower with it?![]()