Guitar amps for recording

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presto5

presto5

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Back again...I live in a studio aptmnt and turning it into a small studio but dont want to blast my neighbors out to a keyed car! What should I get? I kind of play all kine music but I DO want something that could make a good metal recording...Right now I have a 30W Marshall MG That I think I`m gonna kick to the curb...thanks
 
I myself can't be too loud in my studio. Sleeping kids, a wife who hates my taste in music, and the guy living in the basement suite right nest to the studio. I almost never use my amps; instead I just use an amp-modelling unit, the Digitech RP300. It's easy and it's quiet. Actually, I prefer the sound of it over my amps anyway.
 
I just got a hughes and kettner cream machine and a crunch machine.Both were designed as preamps in the late 80's but also are 1 watt tube amps.They pop up on ebay about every week lately and usually sell for around $150.

The cream machine has more gain then you'll ever need but lacks tone knobs.Just gain and master and no cleans to be had on this one.The crunch machine is tailored for clean and bluesy crunch and has the three tone knobs and a bright switch.

Both have an attentuator knob on the back to control the tube output level and have several outputs,line and instrument level.If you've heard of the h&k red box with cab simulation for direct recording both these units have this built into them.

I run my cream machine's instrument out into the crunch machine's input so i get to add another tube to my sound along with the 3 tone knobs.I've been playing with them,trying different cabs,swapping tubes etc.and i've gotten some great tones.

I'm into metal myself and with this set-up i'm getting close to that chunky wall of marshall sound.Believe me,1 watt is still too loud for me to crank these up at 3 am but with both attentuator knobs and the master and gain levels set right,i'm getting some great saturation at very low volumes.

I'm still tweaking and trying these out so i'm not sure what all they're capable of just yet.I'm hoping to do some recording with them soon.There are some clips on you tube of just the cream machine you can listen to and reviews on harmony central for both of them.Not a lot of info about these on the net.

A lot of guys here like the vox and the bugera but from the reviews i've read they're not really good for over the top metal tone.I've heard the Orange tiny terror will do metal fine.These h&k units are half rack space and will drive a 4x12 cab no problem.
 
I manage to get pretty good metal tones from my VOX AD 30......

YUP!

For the versatility, and for the power soak knob on the back, the AD30, VT30, or even better the AD50 or VT50 cannot be beat for dual purpose bedroom+small gig stuff. The 50 can be plugged into an external cab and will sound huge that way. (you can mount a jack on the 30 if you want) The power soak lets you set the speaker volume without changing your tone. Put a good speaker in either one and nothing else in the price point range will even come close.
 
Back again...I live in a studio aptmnt and turning it into a small studio but dont want to blast my neighbors out to a keyed car! What should I get? I kind of play all kine music but I DO want something that could make a good metal recording...Right now I have a 30W Marshall MG That I think I`m gonna kick to the curb...thanks

For a similar wattage/volume but way better tone, give a Tech-21 Trademark 30 a look. I'm a self-admitted tube snob, but that's EASILY my favorite solid state practice amp.
 
I'm in a condo - so controlling volume is a big deal to me.

I depend a lot on my Line 6 POD and a Johnson J-Station (both amp simulators) - however, I've been very satisfied with my Vox AD30VT.

Plenty of amp variations and the attenuation knob makes it very flexible.
 
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