Got to share~ SP Tech monitors!

[mixsit]

Ok, it's only natural to want to rant about something that smacks you upside the head in a good way.
Please, if you have a chance check these guys out... I've never had such a breakthrough as this. The speakers simply sound right. More correctly I guess would be that they don't seem to get in the way at all -the differences shine on the playback material, period.
I've been holding my tongue, being cautious. Really, It's taken me about a month for this to really sink in.
http://www.4sptech.com/version2/mrs.html
I sprung for the dual-8 Continuum AD -simply wanted all the headroom I could get. The single-eight 'Timepiece would likely be the more practical studio version though. Probably around $2500 in the cheap finish.

I was introduced to them over at 3db.
http://www.3daudioinc.com/3db/showthread.php?t=7090
Personal thanks have gone to Mr. Bill Roberts. I owe him big time.

Here's some shots of my set prior to shipping from the SP shop.
http://www.audiocircle.com/circles/viewtopic.php?t=25294

Massive Master, if you see this, Bob Smith is in you neck of the woods. Have you seen or heard these?

I'll shut up now...... for a while if I can stand it. This could be tough.
Wayne out.

 

[SonicAlbert]

What amp are you using with them?

 

[mixsit]

Adcom GFA555. I could use a bit more. The clip lights can trigger at around 95-100 spl but only on dynamic material. You know that stuff they used to make that wasn't castrated? -er. crewcut.
The bigger weak-link surprise was the CD player -I found out (through ripping a bunch of references into Sonar) that the RME ADI-8 kills the Sony conversion/analog. I can plainly here this now.
Wayne