
rob aylestone
Moderator
I've just had a royalties payment and was going through the spreadsheet. It reveals all sorts if you dig in deep. In the UK there is a big department store chain called John Lewis, and they used one of our band tracks on a radio advert campaign last year and it generated a fair bit. I also notice that the BBC keep repeatedly using the same track on many programmes - I expect they don't realise (being produced by young folk, the we are NOT the original band - just seeing the title. It's not just on the popular stations, but for the UK folk here - even Radio 4 used it on Desert Island Discs - and nobody has noticed it is not the original. I suppose the writers also get a payment, so it's not too bad for them - they just lose the actual performance element.
Even weirder is that old show tracks I produced that I put on streaming services are doing really well for a few titles. Backing tracks - no vocals, sort of karaoke I guess, but with lengthening, or different keys, and perhaps different ends. I get that the Adele track might be popular - but Jennifer Rush, the Power of Love is ancient. My own stuff pays very little, but three or four old covers with no vocals are doing OK - but these payments are from 3 years ago, so no idea if next month they will just stop, or carry on. One big chunk this time came from Facebook, TikTok and Instagram? How odd.
Even weirder is that old show tracks I produced that I put on streaming services are doing really well for a few titles. Backing tracks - no vocals, sort of karaoke I guess, but with lengthening, or different keys, and perhaps different ends. I get that the Adele track might be popular - but Jennifer Rush, the Power of Love is ancient. My own stuff pays very little, but three or four old covers with no vocals are doing OK - but these payments are from 3 years ago, so no idea if next month they will just stop, or carry on. One big chunk this time came from Facebook, TikTok and Instagram? How odd.