DINs are what people see labelled as MIDI, but come in many different pin configurations from 2 (which we popular on loudspeakers to 8. Some have a central pin, some don't. Pins spread 180 degrees, or 270 degrees around the circle. The were/are annoyingly tiny to solder, and had very odd connections - like inputs on pins 1 and 4, or outputs on pins 3 and 5, but nobody got the hang of did they mean input cable plug, or output chassis socket, so connecting things was a major pain. Ground was on pin 2, so in mono days, they were spaced around 180 degrees with the out opposite the in, with ground between. Then stereo came along and they squeezed in two more pins. The Germans were the designers and pioneers, with Grundig and Telfunken spreading them wide and far.
Ferrograph series 7 was a 7 pin (I thought), but there may have been a centre pin too - memory too dim on this now!
They often carried low voltage power too - and many device were fried by wrongly applied plugs! The Japanese pioneered the phono connector and gradually the DIN system vanished from domestic and semi-pro/pro kit.