For your listening pleasure...

  • Thread starter Thread starter WhiteStrat
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WhiteStrat

WhiteStrat

Don't stare at the eye.
So what do you do when you can't sleep, but you can't write a song? If it's me (and it's last night) I take an old progression and at least practice recording and mixing. I had fun dialing in the tone on the amp on this one. Song or not, it's called Helen's Melody.



Updated version (see post #15 for an explanation):

 
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Sounds good. Good playing. I'm not crazy about that general lead tone, but you captured it well.
 
Sounds good. Good playing. I'm not crazy about that general lead tone, but you captured it well.

Thanks! I almost called you out in the OP (something like, "...warning Greg, excessive wanking ahead.") But thanks for listening and commenting!
 
Joe Satriani called..He wants his guitar tone back when you are done with it. :D

That obvious huh?

That's okay, I'll take it as a compliment. I was actually thinking of "You Are My World" (one of Joe's best mellow songs) when I was playing the first part of the lead (the wah part).

Funny thing is I'm playing through Vai's amp and Vai's pickup. I don't mean to try to be either of them though...
 
Joe Satriani called..He wants his guitar tone back when you are done with it. :D

That's what I was thinking too. Not Satriani specifically, but it was that generic, mellow, delay'd guitar rock lead tone. Every adult-contemporary-ish guitar song seems to use that same exact tone. That's not a knock on you WS, you did it very well. It's just to me, that tone and style is way way generic sounding.

You play a Dot, right? I'd like to hear more like a 50's-60's semi-hollow twang kind of sound. Like Brian Setzer-ish. That would be bad ass. :D
 
That's what I was thinking too. Not Satriani specifically, but it was that generic, mellow, delay'd guitar rock lead tone. Every adult-contemporary-ish guitar song seems to use that same exact tone. That's not a knock on you WS, you did it very well. It's just to me, that tone and style is way way generic sounding.

You play a Dot, right? I'd like to hear more like a 50's-60's semi-hollow twang kind of sound. Like Brian Setzer-ish. That would be bad ass. :D

I have a Dot. That's song's not the Dot though. But I'll take your challenge. I'm in a real dry spell as far as writing goes--so sometimes I need an "assignment." And the different guits do bring out a different style in me. So next up--something on the Dot, with a Dot-inspired feel.
 
I have a Dot. That's song's not the Dot though. But I'll take your challenge. I'm in a real dry spell as far as writing goes--so sometimes I need an "assignment." And the different guits do bring out a different style in me. So next up--something on the Dot, with a Dot-inspired feel.

Cool man. Looking forward to it. :)
 
Funny thing is I'm playing through Vai's amp and Vai's pickup. I don't mean to try to be either of them though...

If that's the case then maybe you should try not to being Doug Aldrich and Paul Gilbert as well. :D
 
Very nice! I agree that the lead tone has that Satriani-like quality that nowadays sounds "generic", but it's still a nice tone :) I really like the chord progressions and you have a great sense of melody and composition. Definitely worth a few more listens as I sit here and "work" :D

I would love to hear a nice dot number too, looking forward to it!

Best Regards,

Dave DeWhitt
http://www.soundclick.com/davedewhitt
 
Oh, so you think you can just come here and dump whatever comes out of your fingers when you're bored???:mad:

:D:D:D

Well, keep on doing it.....;)
This is Whitestrat to me, Bob, it's your lead style all the way and I don't see why you should change it. To me it's instantly recognisable. I wish I could sing on one of your songs.:)
Mix sounds lovely.
 
Mellow in the lovely sense - the edge remove for pleasant listening.
Really well played. My preference is for the slower parts not that the shred takes over it's just that you're more expressive when dealing with melody.
If I could play like you I'd be noodling & shredding on everything. If I could capture like you I'd record my every waking moment.
You do this stuff soooo well that I'm really jealous.
On an unrelated topic:
Q. Is McGuinn really playing pandanoodling modes in 8 Miles High or is he just fluffing the notes for grace value? It sounds cool BUT...
 
Hey...who's that masked noodler with the fast fingers?:D

With those wicked fingers of yours, I should give you my Jackson...at least it would be caressed in a proper manner...but...I said *should*...I'm a stingy wench with my babys.:spank::D


Your Nana would be proud of her melody..but I have clue she already was..;)
 
If that's the case then maybe you should try not to being Doug Aldrich and Paul Gilbert as well. :D

Ooh...Paul Gilbert...as of late, he's my favorite. And I didn't even know of him before just a couple years ago. Funny thing is, I his playing way better than his tone.

Very nice! I agree that the lead tone has that Satriani-like quality that nowadays sounds "generic", but it's still a nice tone :) I really like the chord progressions and you have a great sense of melody and composition. Definitely worth a few more listens as I sit here and "work" :D

I would love to hear a nice dot number too, looking forward to it!

Best Regards,

Dave DeWhitt
http://www.soundclick.com/davedewhitt

Thanks Dave! After having heard your stuff, I really appreciate the listen and the input!

Oh, so you think you can just come here and dump whatever comes out of your fingers when you're bored???:mad:

:D:D:D

Well, keep on doing it.....;)
This is Whitestrat to me, Bob, it's your lead style all the way and I don't see why you should change it. To me it's instantly recognisable. I wish I could sing on one of your songs.:)
Mix sounds lovely.

Hey Joe! It's cool to know I have a "sound." The funny thing is, I think all of the "finished" pieces I've posted here (and thus what you know my sound by) were done with my POD. I love my amp, but even after having it for a while, I was still recording with the POD because it was just so easy for me.

Anyway, this one is the amp. So it's a bit of a journey getting my recorded amp to have "my sound." It certainly does to my ears in the room, and I think with these settings, and the mics I used on this one--I've just about got it recorded as well.

(And you WILL sing on one of my songs--I promise!)

Mellow in the lovely sense - the edge remove for pleasant listening.
Really well played. My preference is for the slower parts not that the shred takes over it's just that you're more expressive when dealing with melody.
If I could play like you I'd be noodling & shredding on everything. If I could capture like you I'd record my every waking moment.
You do this stuff soooo well that I'm really jealous.
On an unrelated topic:
Q. Is McGuinn really playing pandanoodling modes in 8 Miles High or is he just fluffing the notes for grace value? It sounds cool BUT...

Geez...thanks Ray! I agree about the melody vs. the fast stuff--especially on this one. Sometimes I'm just jamming, but every once in a while, I'm really singing with my lead guitar "voice." This is one of those--I'm singing a song for someone I lost. To that end, I re-tracked all the leads. (See below.) There's still some noodly stuff in there, but I definitely did a better job of singing what I was feeling.

Hey...who's that masked noodler with the fast fingers?:D

With those wicked fingers of yours, I should give you my Jackson...at least it would be caressed in a proper manner...but...I said *should*...I'm a stingy wench with my babys.:spank::D


Your Nana would be proud of her melody..but I have clue she already was..;)

Thanks True. Unfortunately, my Nana hadn't heard me play in years. But she was always an encouragement. In fact the first piano I ever played was in her family room. I didn't do anything but bang on keys for the longest time, but she still loved it!
 
As mentioned above, this one was really me trying to "sing" with the lead, and I shouldn't have posted the first one. After a day or two of listening, I wasn't hearing what I wanted to "sing." I think I got too absorbed in playing with the tone of the amp--I was happy with the tone I recorded, but not my phrasing and "singing."

So I retracked the lead today--same basic melody, but I think a more developed use of the melody (and I dropped the wah at the beginning--I wasn't clean enough with it; maybe next time.)



Thanks again for all the input!
 
I only listened to the 2nd version. Sounds good. Nice tone. I can hear you singing this with the guitar as you pointed out in post#15. I remember Carlos Santana saying one time that he tries to mimic Dianna Ross (or was it Dionne Warwick?) with his guitar leads. I think a focal point like that helps define articulation and timing.

very cool,
 
Hi

Great song. Can you send me a version without the electric guitar, I wil try to put some vocals on it ? What would you like the subject to be on ?

/Jack
 
I wish I sounded like this when I have insomnia. This sounds great. The focus seems to be on the electric, and to be honest, I loved both versions. But the acoustic sound is top rung. Crystal clear with great separation. Nice job. Wish I had half your chops.
 
How many years have you played guitar? sounds nice...
 
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