J
Joost Assink
New member
When I record I mostly just record solo acoustic fingerpicking pieces on my Taylor. I have a Rode NT1a and an AKG C451B going into an M-audio DMP3 preamp to record the all-Koa Taylor Jumbo.
I personally believe that you need a good guitar, decent strings, good mics/preamps and good mic placement (ideally also good sounding room) for a good acoustic tone (crap in, crap out as I read somewhere), and EQ-ing cannot compensate any of the previous factors, but I still think some EQ-ing is necessary in some tracks.
How do you normally EQ acoustic guitar. Like cut out some 100hz to make it less muddy or a high-pass filter to filter out bad room, wind noise or traffic).
What are other frequencies to improve things like finger squeek or guitars that are too mid-y or maybe to make it more open and airy?
I don't have any experience with this, so maybe this is a dumb question...
I personally believe that you need a good guitar, decent strings, good mics/preamps and good mic placement (ideally also good sounding room) for a good acoustic tone (crap in, crap out as I read somewhere), and EQ-ing cannot compensate any of the previous factors, but I still think some EQ-ing is necessary in some tracks.
How do you normally EQ acoustic guitar. Like cut out some 100hz to make it less muddy or a high-pass filter to filter out bad room, wind noise or traffic).
What are other frequencies to improve things like finger squeek or guitars that are too mid-y or maybe to make it more open and airy?
I don't have any experience with this, so maybe this is a dumb question...