Strange Leaf,
you said .."I'm not saying that one is better than the other.... but if we cut it down to the plain sound, the analog wins hands down."
That is not a fair statment to me.
The goal of digital is quality, not color. The idea is to get zero artifacts, and to color the way that we want to later. To record analog just means your planning your color up front and not going back and changing it later. Not nessesarily good or bad.
To me I would rather, per say, record a completely dry vocal and go back and color it later. I can run it through "analog" tubes, a reverb box, bounce it off some tape, or damn near anything later. Because the source is clean. <or at least as clean as I can get it on MY gear> No different than tracking on tape or tracking Hi Fi and bouncing it on tape.
One thing to remember too is what "sounds" good is simply what we associate with sounds that we like. We tend to go after sounds and methods mimiced from things we like, and if THEY said they did it THAT way then damn, we sure as shit need to do that way too and OUR stuff will be just as good. All a frame of mind. Ever notive how you change your mind of what "sounds" good after hear other things?
Last thing too, I always remember that movie The Rock when Nick Cage spends $200 on that Beetles record in the begining and when asked why not spend $15 on the CD, he says.. "It sounds better". I often think, I bet he couldn't even tell the difference if it was recorded digital, and mixed down through "vinylish warmth" to a cd.
Yes that sounds like alot of work, but again its control.
On analog, you commit, digital you control.
Just my thoughts, and now I'm done..
SpaceBoy