
Roel
That SMART guy.
So, I almost decided which mics to buy (SM57 for snare, Sennheiser e604 for toms, and Beyer TGX50 for kick unless you talk me out of it), and then this gets in my head...
I only have one overhead mic (AKG C3000B)... Wouldn't it be better to get a good stereo pair, and leave out the tom mics? This stereopair is usefull in other situations too...
I also have limited tracks (no more than 8 rec tracks at a time), so I can't mic the whole kit w/ stereo overheads, and get the bass/guitars on it at the same time. Can make a submix of the toms, however...
Another thing to consider with the overheads is that I record in very bad rooms. I haven't got a room myself, so I do remote sessions all the time... But they will allow me to record classical concerts and jazz-jams very easily. (But that's not what I'll get payed for... The rock-demo stuff pays...)
What do I do? Maybe get the complete mic set, and some very cheap small condensors? Or a more expensive stereo pair?
The music I record is mostly rock stuff, and worse...
I only have one overhead mic (AKG C3000B)... Wouldn't it be better to get a good stereo pair, and leave out the tom mics? This stereopair is usefull in other situations too...
I also have limited tracks (no more than 8 rec tracks at a time), so I can't mic the whole kit w/ stereo overheads, and get the bass/guitars on it at the same time. Can make a submix of the toms, however...
Another thing to consider with the overheads is that I record in very bad rooms. I haven't got a room myself, so I do remote sessions all the time... But they will allow me to record classical concerts and jazz-jams very easily. (But that's not what I'll get payed for... The rock-demo stuff pays...)
What do I do? Maybe get the complete mic set, and some very cheap small condensors? Or a more expensive stereo pair?
The music I record is mostly rock stuff, and worse...
