Personally, I'd suggest buying individual mics, rather than a mic package. Buying individual mics allows you to get specific mics for each application.
As examples :
For kick mics, there's
the AKG D-112, or Shure 52, or Audix D6, or EV RE-20, or Sennheiser 421, or... you name it - there are many, many other choices, depending on the exact sound you want, and depending on whether you're using them for live performance only, or recording only, or both live and recording.
There are lots of mics you could use for mic'ing a snare, such as the Shure SM57, or Audix i5, or any number of dynamics.
And for toms, some people mic them with Sennheiser 421's, or e609silvers, or SM57's... or any number of others...
For overheads, condensers pretty much rule. AT have many, from their MDC 2020's, to their full sized 4xxx LDC series, then there are Studio Projects B and C series mics, or the SDC Shure SM81, or SDC Oktava 012's, or the MXR 603's and 604's, and on and on.
These are all examples of mics that are within reach of us normal guys, price-wise, and have the potential to deliver bigtime results in the right hands...
Buying the mics individually gives you the most flexibility.
If you're not familiar with many mics, research some of your favorite bands or drummers, and see what they use to get their drum sound. Go to some gigs and concerts too, and see what they've used on the drum kit. Let your ears choose the mics.
