V
Vandy12
Banned
I am a home recorder and the new sequencers coming out have so many VSTs built into the programs.
Fruity Loops comes to mind. I presently use Cubase 7.
I was curious about how the pro studios use VST's. I would think over time and with experience
one would filter out what is not needed and keep what is, and the number would be small.
Utilize a small group of good ones to do the job vs. 100.
I just don't think you need all those VST's. With that being said, if you were to pick say
five or ten VST's if you only could use those five or ten in your recordings, which ones would you pick?
Not looking for any special company promotions here, just for example limiter, reverb,
ect., but if you want to put the name of some you can't live without, I would like to hear what
you consistantly use to get the job done.
Lastly, is there any reason whatsoever now-a-days to buy VST equivelant hardware?
What would be the benefit of buying a limiter stereo component vs. just using the
one that comes in sequencer or a VST you can purchase?
Thanks,
Vandy
Fruity Loops comes to mind. I presently use Cubase 7.
I was curious about how the pro studios use VST's. I would think over time and with experience
one would filter out what is not needed and keep what is, and the number would be small.
Utilize a small group of good ones to do the job vs. 100.
I just don't think you need all those VST's. With that being said, if you were to pick say
five or ten VST's if you only could use those five or ten in your recordings, which ones would you pick?
Not looking for any special company promotions here, just for example limiter, reverb,
ect., but if you want to put the name of some you can't live without, I would like to hear what
you consistantly use to get the job done.
Lastly, is there any reason whatsoever now-a-days to buy VST equivelant hardware?
What would be the benefit of buying a limiter stereo component vs. just using the
one that comes in sequencer or a VST you can purchase?
Thanks,
Vandy