S
sixer2007
New member
Hey all,
Often times studio albums have tracks that end, and another begins without the listener noticing that it's a different tune. I notice it most with drums.. The drummer will play something at the end of one song that melds perfectly with the intro of the next song. In terms of mastering, I think I know how to accomplish that, but what I don't understand is how the CD production process keeps it intact.
If you rip a CD onto your computer (Seemingly no matter what software you use whether iTunes, Windows Media, etc) and then go to burn that onto a blank CD, there will always be a gap between the songs, and that transition i just mentioned will no longer be seamless. Does it take different software when producing the albums to make that happen? Is the whole album exported by the mastering engineer as one track and then the manufacturer (knowing the times noted by the M.E.) somehow make the CD change the track count?
This is just a curious question I've been wondering about for a while...
Often times studio albums have tracks that end, and another begins without the listener noticing that it's a different tune. I notice it most with drums.. The drummer will play something at the end of one song that melds perfectly with the intro of the next song. In terms of mastering, I think I know how to accomplish that, but what I don't understand is how the CD production process keeps it intact.
If you rip a CD onto your computer (Seemingly no matter what software you use whether iTunes, Windows Media, etc) and then go to burn that onto a blank CD, there will always be a gap between the songs, and that transition i just mentioned will no longer be seamless. Does it take different software when producing the albums to make that happen? Is the whole album exported by the mastering engineer as one track and then the manufacturer (knowing the times noted by the M.E.) somehow make the CD change the track count?

This is just a curious question I've been wondering about for a while...