C
cursic
New member
I'm relatively new, so bear with me...
I thought that as long as the input signal was kept below 0dB on my DAW's meters, the input signal would NOT sound distorted (unless of course the source sound was distroted). But using either one of my two condenser mics (an AKG C300B or a stereo pair Rode NT4) to record a marimba (rubber mallets striking wooden keys, mic placed 18 inches away, pointed directly at the surface of the keys) yields distortion beyond belief. Doesn't happen when using my dynamic SM57, though. The only way to eliminate it is to drop the input level so that the loudest signals barely makes it up to -12dB.
So am I wrong in assuming that there's more to avoiding distortion when using mics than just keeping the input levels below the red line (and these meters are supposedly fast LED meters that should be able to detect fast transients). I know that condensers can't handel high sound levels, but a marimba is hardly a stack of marshall's with volume set set at "eleven!"
Thanks for your input.
I thought that as long as the input signal was kept below 0dB on my DAW's meters, the input signal would NOT sound distorted (unless of course the source sound was distroted). But using either one of my two condenser mics (an AKG C300B or a stereo pair Rode NT4) to record a marimba (rubber mallets striking wooden keys, mic placed 18 inches away, pointed directly at the surface of the keys) yields distortion beyond belief. Doesn't happen when using my dynamic SM57, though. The only way to eliminate it is to drop the input level so that the loudest signals barely makes it up to -12dB.
So am I wrong in assuming that there's more to avoiding distortion when using mics than just keeping the input levels below the red line (and these meters are supposedly fast LED meters that should be able to detect fast transients). I know that condensers can't handel high sound levels, but a marimba is hardly a stack of marshall's with volume set set at "eleven!"
Thanks for your input.