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Fusioninspace
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Ed Dixon wrote...
"Getting back to the original topic.
One challenge for many church music groups is dealing with people. I have been part of music groups at a variety of different churches and it’s amazing how much they vary on how they work with musicians and vocalists. There are two situations that seem to come up regularly.
The first is the basic question of what criteria, if any, is used in adding people to a music team. Suppose you have a praise team with musicians and vocalists. You have stage room for many. What criteria is used for adding a new vocalist? Is there an audition, or do you just take those who are willing. In most cases churches are dealing with volunteers and not paid music folks, so it can get tricky fast.
The second is the question of dealing with dependability. You rehearse a song with different parts assigned to different people. Then on Sunday, one or more don’t show and don’t call. So you end up winging it with somehow redistributing the song parts. The other variation is that people show on Sunday to sing, who did not make rehearsal, and really don’t know the songs.
What approaches are used by the different groups represented here?
Ed"
"Getting back to the original topic.
One challenge for many church music groups is dealing with people. I have been part of music groups at a variety of different churches and it’s amazing how much they vary on how they work with musicians and vocalists. There are two situations that seem to come up regularly.
The first is the basic question of what criteria, if any, is used in adding people to a music team. Suppose you have a praise team with musicians and vocalists. You have stage room for many. What criteria is used for adding a new vocalist? Is there an audition, or do you just take those who are willing. In most cases churches are dealing with volunteers and not paid music folks, so it can get tricky fast.
The second is the question of dealing with dependability. You rehearse a song with different parts assigned to different people. Then on Sunday, one or more don’t show and don’t call. So you end up winging it with somehow redistributing the song parts. The other variation is that people show on Sunday to sing, who did not make rehearsal, and really don’t know the songs.
What approaches are used by the different groups represented here?
Ed"