I think it sounds better, IIRC
The chord trainwreck happens at 1:17...that's the part I was talking about.
I think the pans are too clustered in the middle third. One thing that's not working is the way both guits and the piano are all pretty much playing the same chords, the same figures, and, generally, in the same octave range...except the piano which might be sounding the next octave up....and, therein lies the problem: I can't differentiate individual parts cuz of the mash-up. All in the lower mids...bottom of the guitar....100Hz to 300.
If that's MIDI piano, try an acoustic grand...something with decay, to get the sustain out of the way, and lend some purcussiveness. Or eliminate it as it is...cuz it's superfluous.
Another thing maybe you could look at is eliminating guit L, and substituting a capoed-up acoustic part... an octave range up from the other Les Paul track...GuitR, right?
The pizza resistance would be to develop melodic parts for the accompanying instruments to play...counter themes....neat chordal/rhythmic fractions....things to add interest, and eliminate the excessive layers of sound in the low mids.
There needs to be some space in the big parts...and there needs to be actual things for the instruments to play against, and with, one another, and the upper-mids need to be utilized, I believe.
Try some stuff....let your imagination add some filligree to the work.