M
MarkW
New member
It amazes me what a loyal following the old (and unavailable) Radio Shack PZM microphones have....needless to say, there aren't many old ones floating around garage sales in the Charlottesville, VA area.
Never having heard one--let's get the ignorance right out front--I would like to experiment with a pair to record jazz piano in stereo and there doesn't seem to be a reasonably priced replacement that has caught on. I am told they give you a "bright, transparent" sound.
Crown makes the 30D which lists for $369 ($269 at Full Compass), but makes some cheaper ones ($99 and up). Does anyone have any experience with the cheap ones? Since they made the RS mic, they are probably technically similar, although Crown won't answer questions about using these for anything other than conferencing. Bastards.
A while back, Eddy Hoffman in the Netherlands was selling some of his own design. Does anyone have any experience with his?
Finally, some of the pros like Sonusman or Recording Engineer or anyone else who knows, do you know of recordings where this type of mic was used? I'm curious to hear what the boundary mic sound gives you that a good, well-placed condenser mic won't. It seems most people in this BBS are recording rock, but I am curious for those that mic piano, what their approach is.
Thanks in advance...
Never having heard one--let's get the ignorance right out front--I would like to experiment with a pair to record jazz piano in stereo and there doesn't seem to be a reasonably priced replacement that has caught on. I am told they give you a "bright, transparent" sound.
Crown makes the 30D which lists for $369 ($269 at Full Compass), but makes some cheaper ones ($99 and up). Does anyone have any experience with the cheap ones? Since they made the RS mic, they are probably technically similar, although Crown won't answer questions about using these for anything other than conferencing. Bastards.
A while back, Eddy Hoffman in the Netherlands was selling some of his own design. Does anyone have any experience with his?
Finally, some of the pros like Sonusman or Recording Engineer or anyone else who knows, do you know of recordings where this type of mic was used? I'm curious to hear what the boundary mic sound gives you that a good, well-placed condenser mic won't. It seems most people in this BBS are recording rock, but I am curious for those that mic piano, what their approach is.
Thanks in advance...