A
Atterion
New member
OK first off, ballads ain't my thing, I'm freakin METAL HEAD!!!
But anyways, I decided to write a song about an ex-girlfriend who dumped me because a Ouija Board told her I'm evil. And she believed in all that crazy shit, and I...
Well OK, I'm evil.
Anyways have a listen and let me know what you think.
The song structure is ultra simple (I don't want to waste to much time on a gushy suck-song). Instead I approached the song with taking a simple repetitive part, and constantly keeping it evolving via playing each part differently and panning moves for the vox. Much like the ocean, it's always the ocean, and the waves repeat over and over, but it's always changing, and you can watch for hours (If your into that type of gayness). Before I hear a ton of "The Guitar needs to be way louder" type comments, know that even though I am a metal head, I intentionally left the guitar in the back. I really didn't want to have any instruments other than the bass, drums, and vox, having dominant parts (Although various parts move in and out of the mix to help it evolve).
The song was written originally with the guitars tuned DGCACD (Standard tuning with each string detuned a whole step), and in this version uses BEADF#AB (Celebrating my renewed love of all things evil
)
The tracks are as follows:
Lead Guitar (Ibanez through a Mesa Dual Rectifier and Marshall cab)
Gibson Les Paul (Clean through a Tone Lab)
Gibson Acoustic (Clean through the mixing desk)
Lead Vox (Through a Rode NT1, through Focusrite Twin Track Pro)
Backing Vox (Through an Oktavia Model??? Can't remember, also through TwinTrack)
Bass (Custom built 5 string, with progressive wounds)
Piano (Edirol Super Quartet)
Choir (x 2 Via Korg N264 and EXS sampler)
Drums (Pearl World Series mic'ed individually, 3 different mics on the snare SM 57, NT1, and "Cough" Samson C03)
Cymbals (Paiste Signatures...Ride mic'ed seperately with Oktavia, the rest through the overheads, which were set fairly close).
In all 18 tracks. Mixed in Cubase SX2, and Mastered in wavelab.
Most tracks were left with the EQ's flat except the 2 electric guitars, and 2 vocal parts. The vocals have mild multiband comression/limiting. The Multiband, Reverb, and Delay FX are all Sonitus FX.
At mastering I gave it a mild push at 8Khz (Which after listening to it a couple of times, I'm not sure it was needed). Finally a hint of PSP Vintage Warmer, just a hint, maybe enough to bring the signal up .02dB or so.
This mp3 is at 128kbps, and I did notice a dramatic change in quality from the original wav (Mostly typical mp3 flutter), but aside from that it this sounds pretty damn close to what I'm hearing through my studio monitors (Event TR-8XL's).
Please give me honest feedback. Thanks. Hope you enjoy (Just don't expect anymore crappy ballads from me though).
EDIT: Please Right click the link, and select "Save Target As", for whatever gay reason that's all my freewebs server will let me do.
But anyways, I decided to write a song about an ex-girlfriend who dumped me because a Ouija Board told her I'm evil. And she believed in all that crazy shit, and I...
Well OK, I'm evil.
Anyways have a listen and let me know what you think.
The song structure is ultra simple (I don't want to waste to much time on a gushy suck-song). Instead I approached the song with taking a simple repetitive part, and constantly keeping it evolving via playing each part differently and panning moves for the vox. Much like the ocean, it's always the ocean, and the waves repeat over and over, but it's always changing, and you can watch for hours (If your into that type of gayness). Before I hear a ton of "The Guitar needs to be way louder" type comments, know that even though I am a metal head, I intentionally left the guitar in the back. I really didn't want to have any instruments other than the bass, drums, and vox, having dominant parts (Although various parts move in and out of the mix to help it evolve).
The song was written originally with the guitars tuned DGCACD (Standard tuning with each string detuned a whole step), and in this version uses BEADF#AB (Celebrating my renewed love of all things evil
)The tracks are as follows:
Lead Guitar (Ibanez through a Mesa Dual Rectifier and Marshall cab)
Gibson Les Paul (Clean through a Tone Lab)
Gibson Acoustic (Clean through the mixing desk)
Lead Vox (Through a Rode NT1, through Focusrite Twin Track Pro)
Backing Vox (Through an Oktavia Model??? Can't remember, also through TwinTrack)
Bass (Custom built 5 string, with progressive wounds)
Piano (Edirol Super Quartet)
Choir (x 2 Via Korg N264 and EXS sampler)
Drums (Pearl World Series mic'ed individually, 3 different mics on the snare SM 57, NT1, and "Cough" Samson C03)
Cymbals (Paiste Signatures...Ride mic'ed seperately with Oktavia, the rest through the overheads, which were set fairly close).
In all 18 tracks. Mixed in Cubase SX2, and Mastered in wavelab.
Most tracks were left with the EQ's flat except the 2 electric guitars, and 2 vocal parts. The vocals have mild multiband comression/limiting. The Multiband, Reverb, and Delay FX are all Sonitus FX.
At mastering I gave it a mild push at 8Khz (Which after listening to it a couple of times, I'm not sure it was needed). Finally a hint of PSP Vintage Warmer, just a hint, maybe enough to bring the signal up .02dB or so.
This mp3 is at 128kbps, and I did notice a dramatic change in quality from the original wav (Mostly typical mp3 flutter), but aside from that it this sounds pretty damn close to what I'm hearing through my studio monitors (Event TR-8XL's).
Please give me honest feedback. Thanks. Hope you enjoy (Just don't expect anymore crappy ballads from me though).
EDIT: Please Right click the link, and select "Save Target As", for whatever gay reason that's all my freewebs server will let me do.
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