B
BigBluePiece
New member
I?m leaning toward buying several of ART?s Pro Channel strips. For those who don?t know, its got a tube pre-amp, tube/optical compressor and a parametric EQ. Each of these are considered ?modules?. My understanding is that this allows the user to bypass any of the modules and just use, for example, the preamp and the EQ, not the compressor, or the preamp and the compressor, but not the EQ, etc., etc...
I have a couple of questions before I squeeze the trigger, though.
First off, does anyone have an experiences with these units who would like to advise me about the wisdom of this purchase? Is there something better for the price that I should consider?
I?m also curious about the EQ and it?s making me hesitate a little. I?d be using these channel strips between my Microphones and tracking console. So the chain will be: Microphone > Channel Strip > Console > Recorder.
My console/mixer has an EQ on it, a really good one in fact. This raises two questions:
1. How necessary is it for the channel strip to have an EQ when the signal is going to be EQ?d further down the chain? Perhaps ?necessary? isn?t the best way to phrase it. Maybe I should ask ?Why would the channel strip have EQ on it??
2. In light of that question (if the EQ on the channel strip is unnecessary), would I be better off just getting several of ART?s ProMPA II preamps and their ProVLA II Compressors to remove the EQ and also give me less mess in the chain when I?m recording and don?t need both a Preamp and Compressor?
Am I way out in left field??
Thank you!
I have a couple of questions before I squeeze the trigger, though.
First off, does anyone have an experiences with these units who would like to advise me about the wisdom of this purchase? Is there something better for the price that I should consider?
I?m also curious about the EQ and it?s making me hesitate a little. I?d be using these channel strips between my Microphones and tracking console. So the chain will be: Microphone > Channel Strip > Console > Recorder.
My console/mixer has an EQ on it, a really good one in fact. This raises two questions:
1. How necessary is it for the channel strip to have an EQ when the signal is going to be EQ?d further down the chain? Perhaps ?necessary? isn?t the best way to phrase it. Maybe I should ask ?Why would the channel strip have EQ on it??
2. In light of that question (if the EQ on the channel strip is unnecessary), would I be better off just getting several of ART?s ProMPA II preamps and their ProVLA II Compressors to remove the EQ and also give me less mess in the chain when I?m recording and don?t need both a Preamp and Compressor?
Am I way out in left field??

Thank you!