G
ghetto3jon
New member
hello. in the gerst pdf, he discusses the difference of micing an acoustic guitar for a solo performance, and when the acoustic is going to be part of a band...basically, in order for an acoustic guitar to stick out in a rock mix, it has the be very bright and mic'd at the bridge...which may not sound the best on it's own, but it cuts in the mix.
this weekend i'll be recording a piano in a very dense rock song (think flaming lips, or some of the heavier wilco material..and it's an overdub, so isolation is not an issue). now i'm wondering, should i take the same approach to the piano in order for it to cut in the mix? perhaps mic the through to top (mxl-603), we're i've heard is a very bright spot? i'm using a friend of a friends piano (which is a very well maintained upright), and i won't have a lot of time to experiment...so i'm doing as much research as i can before i get there. also, since it is a remote recording environment, i'll only be using one mxl-603 through a single channel strip (tube preamp, compressor) into a powerbook...i know one mic is not ideal, but i don't have tons of time with the piano, so i'm bringing a simplified setup.
thanks!
this weekend i'll be recording a piano in a very dense rock song (think flaming lips, or some of the heavier wilco material..and it's an overdub, so isolation is not an issue). now i'm wondering, should i take the same approach to the piano in order for it to cut in the mix? perhaps mic the through to top (mxl-603), we're i've heard is a very bright spot? i'm using a friend of a friends piano (which is a very well maintained upright), and i won't have a lot of time to experiment...so i'm doing as much research as i can before i get there. also, since it is a remote recording environment, i'll only be using one mxl-603 through a single channel strip (tube preamp, compressor) into a powerbook...i know one mic is not ideal, but i don't have tons of time with the piano, so i'm bringing a simplified setup.
thanks!