
sonusman
Banned
Okay, this is FAR from a mix! This was done right after tracking all the vocals (6 tracks worth!).
Don't tell anyone in Roxette that I posted this....
We are working on the publishing paper work....
This is a local band who's lead guitar player owns a studio I work out of from time to time. They brought me in on this song to see how we would all work together on stuff because him and the singer/guitar player/songwriter felt they needed another set of ears and other opinions on their next CD to improve. These sessions went very well for everyone, and it looks as though I will be tracking their next CD, probably this summer. I am looking forward to it.
I will of course have a proper mix of this in about a week and will update this post then with it.
Here is a rundown on the tracking.
Kick - D-112 through a Drawmer 1960 preamp.
Snare - Sm-57 through an ART Pro preamp
Tom's - Sm-57's through TL Audio Ivory series preamps.
Overheads - A AT 4033 and 4050 (4050 on the hi-hat side) through a Focusrite Red preamp.
Bass - DI'ed through Drawmer 1960 preamp. Tad of the tube compression used going to tape, no more then 2 dB here and there.
2 Rythem Guitars - SM-57 through Drawmer 1960 preamp.
1 Rythem Guitar - POD to a Joe Meek VC3
1 Clean Rythem guitar - POD to Drawmer 1960 preamp.
Lead Guitar - 4033 through a ART Pro preamp.
Drum loops and what not - Forgot what unit he uses, but it ran direct ot the Joe Meek.
All keyboards - Direct to the Joe Meek.
All vocals - ADK 51TC tube mic to a Focusrite Red preamp with the Drawmer 1960 Tube compressor.
There is one vocal track (the dirty sounding one during the chorus and the end "rap" part) that was a SM-57 through a POD to the Joe Meek.
We are tracking to ADAT XT-20's and mixing via the optical ADAT cards on a Yamaha O2R and using NS 10's and Sundholm monitors (sorry, forgot which model, but I am not using them much as I don't really know them at all).
This was mixed direct to DAT and sample rate converted to the CDR burner to burn the disk. Not the way we will be mixing this puppy. Flown into my computer digitally and converted to mp3...blah blah blah.....
I am most impressed with the ADK 51TC mic!!! This is a great sounding tube mic. None of the vocals you hear have any eq or compression applied to them. That is the way they actually sound!
Anyway, enjoy.
Ed
Don't tell anyone in Roxette that I posted this....


This is a local band who's lead guitar player owns a studio I work out of from time to time. They brought me in on this song to see how we would all work together on stuff because him and the singer/guitar player/songwriter felt they needed another set of ears and other opinions on their next CD to improve. These sessions went very well for everyone, and it looks as though I will be tracking their next CD, probably this summer. I am looking forward to it.
I will of course have a proper mix of this in about a week and will update this post then with it.
Here is a rundown on the tracking.
Kick - D-112 through a Drawmer 1960 preamp.
Snare - Sm-57 through an ART Pro preamp
Tom's - Sm-57's through TL Audio Ivory series preamps.
Overheads - A AT 4033 and 4050 (4050 on the hi-hat side) through a Focusrite Red preamp.
Bass - DI'ed through Drawmer 1960 preamp. Tad of the tube compression used going to tape, no more then 2 dB here and there.
2 Rythem Guitars - SM-57 through Drawmer 1960 preamp.
1 Rythem Guitar - POD to a Joe Meek VC3
1 Clean Rythem guitar - POD to Drawmer 1960 preamp.
Lead Guitar - 4033 through a ART Pro preamp.
Drum loops and what not - Forgot what unit he uses, but it ran direct ot the Joe Meek.
All keyboards - Direct to the Joe Meek.
All vocals - ADK 51TC tube mic to a Focusrite Red preamp with the Drawmer 1960 Tube compressor.
There is one vocal track (the dirty sounding one during the chorus and the end "rap" part) that was a SM-57 through a POD to the Joe Meek.
We are tracking to ADAT XT-20's and mixing via the optical ADAT cards on a Yamaha O2R and using NS 10's and Sundholm monitors (sorry, forgot which model, but I am not using them much as I don't really know them at all).
This was mixed direct to DAT and sample rate converted to the CDR burner to burn the disk. Not the way we will be mixing this puppy. Flown into my computer digitally and converted to mp3...blah blah blah.....
I am most impressed with the ADK 51TC mic!!! This is a great sounding tube mic. None of the vocals you hear have any eq or compression applied to them. That is the way they actually sound!
Anyway, enjoy.
Ed