A fun project: build me a tone!

  • Thread starter Thread starter Steve Henningsgard
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Steve Henningsgard

Steve Henningsgard

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Alright gentlemen (and ladies?), I've got a project for us. Let's pretend we had a fair amount of cash sitting around. Nothing crazy, but a practical amount. What would you buy for your "ultimate tone" setup? We're talking specifics: Guitar make/model/year, pickups, stomp boxes, cables (if you feel they make a difference), amps, tubes, cabs, speakers: the works! State your genre as well, to give everyone an idea of where you're coming from.

I'll start:

Genre - Metal/Progressive

Guitar - Pre-factory PRS Custom, stock pickups

Stomp Boxes - Ibanez Tubescreamer, Boss Gigadelay & Flanger, Crybaby Wah, Morley Volume

Amp - Rivera Knucklehead Tre' w/ tubes by dougstubes.com

Cab - Mesa Boogie 4x12 w/ Vintage 30's



Ready... go!
 
I never worry about tone.....In FACT...I already have one of these...and I can even go from distortion to overdrive in a split second...and I never ever forget how I got that tone...:eek::D:D:D





















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And while I'm at it...ON YOUR KNEES!!!....:eek:...:D...http://www.guitarcontrol.com/
 
Ok, here goes:

Genre: Rock, alternative, indie

Amps:

homeade Marshall 18 watt (model 1958) clone with 2 x 10s

vintage Vox AC15

vintage Fender tweed Bassman

65 Gibson GA5 Skylark


Guitars:

American Strat w/ stock pickups

American Tele w/ Bill Lawrence pickups

Vintage Fender Jaguar stock

Gibson 335 stock

Gibson Les Paul Standard stock


Effects (all homeade):

Rat pedal clone
analog delay
phaser
ring modulator
vibrato
A/B boxes
 
hmmmm....

Genre: worship

I'd start with a custom Nashville Telecaster with an one piece ash body, quarter-sawn maple neck, 10-16" compound radius and jumbo 6100 stainless steel frets.... guitarfetish fatbody overwound Tele pups, and a hot strat pup in the middle.
I'd go into an electroharmonix black-finger tube compressor, then a BBE sonic stomp, then into a a/b/y box.... out from A-side -TS808, into a DD20 delay, then into a new AC30 with the Celestion blue speakers... out from A-side into a rat distortion, then into a dd20 delay, then into a marshal tsl60 head, then into a 4x12 cab with greenbacks.
The mics from these amps would go into a mixer at my side, where I would add reverb, and other time based effects if desired. The outputs of the mixer would go to FOH and to a set of JBL full range monitors at my feet, for monitoring my studio-like processed sound.

:D

~Shawn
 
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I'm just going to end up listing my own rig as I did have a significant amount of cash laying around a while ago and just bought all the stuff I wanted that I didn't already have...

Genre: Death/Trash/Extreme metal.

Guitar: My guitar (US '95 strat with a Seymour Duncan lil' screamin' demon mini humbucker on the bridge)

Stompboxes (although I don't consider these to be part of the tone): Boss DD3, Boss Flanger, Jim Dunlop Cry Baby, Tubescreamer (sometimes), the ring modulator I built years ago

Amp: My amp (Peavey 6505)

Cab: Marshall 1960 4x12

I am really happy with my tone. :) I'm not going to sit and say it's the dogs nuts, because it's a matter of opinion, but I am very happy with it.
 
For warm blues:

'64 Gibson ES-335 neck pickup into a '66 Ampeg SuperbReverb with the reverb just barely audible. No effects needed.

For less money try a Heritage H-355 with Fralin PAFs.

At lower volumes use a '60s Gibson Explorer amp. If you need more crunch add an Xotic AC Booster pedal.

For a really versatile rig send an American Strat through a '60s Blackface Deluxe Reverb. I'm not a Strat guy so I would use a G&L ASAT Special through this amp.
 
I'm just going to end up listing my own rig as I did have a significant amount of cash laying around a while ago and just bought all the stuff I wanted that I didn't already have...

Genre: Death/Trash/Extreme metal.

Guitar: My guitar (US '95 strat with a Seymour Duncan lil' screamin' demon mini humbucker on the bridge)

Stompboxes (although I don't consider these to be part of the tone): Boss DD3, Boss Flanger, Jim Dunlop Cry Baby, Tubescreamer (sometimes), the ring modulator I built years ago

Amp: My amp (Peavey 6505)

Cab: Marshall 1960 4x12

I am really happy with my tone. :) I'm not going to sit and say it's the dogs nuts, because it's a matter of opinion, but I am very happy with it.

You really like the Mini-Bucker in a Strat vs. a real 'bucker?
 
You really like the Mini-Bucker in a Strat vs. a real 'bucker?

The thing sounds exactly the way I want it to so I can't complain. And the guitar I have that does have full humbuckers in it sounds like ass. Not that I'm saying that full humbuckers sound like ass of course. Just the ones in that guitar
 
Ok guys, here goes my dream setup :)

Genre - '80s Hair Metal / Glam Rock

Guitar - Gibson Les Paul Standard with stock PUs and Fender Strat with hot single-coils (DiMarzio or Seymour Duncan)

Stomp Boxes - Ibanez Tubescreamer or Boss DS-1 (depending on the song), Boss reverb, delay, compressor and chorus pedals, MXR phaser, Dunlop CryBaby Wah, any volume pedal

Amp - Marshall JCM800 2203 w/ TAD tubes or Marshall Silver Jubilee 100W head

Cab - Hiwatt Custom 4*12 with Fane speakers or Mesa Recto cab with V30s
 
current setup

guitars: PRS Singlecut Trem, PRS Mira

amp: Fender Twin Reverb (with my custom Eminence speackers)

effects (in order): Super Cry Baby (wah/vol), Hao Rust booster, Zvex Box of Rock, Keeley modded Boss sd1, ehx russian muff pi, george dennis distorted mind, Line 6 echo park delay, TC electronics nova modulation, BBE sonic stomp
(lets not forget the reverb and vibrato on the amp itself)

Styles of music: I think this can cover almost all of 'em, mostly rock, blues, maybe metal. I usually play praise and worship at church. This is my current setup on my SKB pedalboard (once my Mira ships).
 
Was gonna reply, but I was describing my current rig, so I decided to start another thread... Portable Rig.
 
Genre: Bluesy rock
Guitar: 1961 Gibson double-cut non-SG Les Paul
Amp: 1964 Fender Blackface Deluxe Reverb
Effects: 20' cord


Genre: Rock slide
Guitar: 1962 Epiphone Coronet
Amp: 1965 Blackface Vibrolux Reverb
Effects: 20' cord

Genre: Blues
Guitar: 1962 Gibson ES 345
Amp: 1965 Fender Pro Reverb
Effects: 20' Cord

Genre: Jazz
Guitar: 1956 Gibson Les Paul Goldtop
Amp: 1965 Fender Pro Reverb
Effects: 20' Cord

Any questions?
 
Already Own IT!!!

I'm one of the lucky ones.......I was able to buy this stuff long before everbody figued out it was made of magic trees.

When I'm feelin' dirty...
Genre: Blues,Rock-a-Billy, Rock
Guitar: 1962 Gibson ES-125 TDC (Thinbody, Double pick-ups,Cut-awy) w/two single coil P-90s and a bigsby
Amp: 1954 Fender Deluxe Narrow Panel reconed speaker and Mojo Tone output coil - Beat up coners and cigarette burns and autographed by Bill Kirtchen!!!
Effects: none

When I do the Twang thang...
Genre: Honky Tonk, Diesel-Billy, Blues
Guitar: 1970 Blonde Tele Rosewood neck White pickguard -all original except for the 4-way switch- The fender orange crush in the case has even stained the back of the guitar - way too cool!
Amp: 1954 Fender Deluxe - see above
Effects: none

When I Pretend to be Doc Watson:
Genre: Bluegrass, Old Tyme, Folk, Singer Songwriter
Guitar: Martin Herringbone D-28
Effects: Red Bear size "C" pick, or real tortise shell pick
Amp: yeah right...
 
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