i don't know if you've done this as an exercise in recording or as an actual song but i really like it.
Thanks. It was a bit of both, really.
i think you could make the piano arpeggio's into something a little more interesting as well, maybe some rhythmic variation.
I've always had problems writing the drum parts. They tend to be a little tacked-on and this one is no exception. The intro on organ and the middle parts were cannibalised from a different project entirely, but they do seem to fit nicely.
the organ sound is nice and melancholic, a hammond without leslie?
It does have leslie (Rotosphere MK1, actually) set on low speed. I considered changing the speed partway through, but didn't do so in the end. One thing which bugs me is that I suddenly realised I was using exactly the same chord structure that I did in this song:
http://www.jamendo.com/en/track/125723
(I was aiming at 1970-71 on that track, which I kind of blew at the end with the obviously-digital synth)
I don't like the sound of the bass drum though, got a bit too much attack and not enough low mid i think. get your drummer to re-tune his bass drum.
Now that is a very interesting comment. I don't actually
have a drummer and one of the things that does bug me is that it's fairly obvious (to me) that the drum track is programmed, using the Korg Triton sound set. If you honestly thought it was a live drummer, that does give me some hope
overall a really accurate attempt to create a sixties psychedelic pop song!
Thanks. If you're interested, I think what inspired me to do this was a combination of two things.
Firstly, the "Dukes of Stratosphear" collection I bought last year which did a very good job of emulating the 60s material-wise, but it seemed fairly evident to me that it was done on a 24-track machine (it was recorded in 1985 and 1987)... it sounds to me like they recorded the drums individually instead of in mono or with a stereo pair.
What really brought it to a head was a 3-CD set of psychedelic songs which I've been listening to a lot this year. That was what really gave me the push to try it myself.
Oh, and also 'Valentyne Suite' by Colosseum. That gave me the idea for flanging the piano around 1:44, also the notion of applying flanging to the entire thing at mixdown. Some songs of that era applied it only to a single track somehow.