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Hm. Wondering if anytone in this thread is in fact a sock puppet for M. Stavros...? I couldnt find anything much on google directly about this book, so I will not be spending my $80AD on it any time soon, unless the author feels like making it all a little more open.

I bought an E840 a couple of years ago and since then have used it exclusively on my vocal live. I also have SM58s and 57s, which get used on everyone else! (grin) Great bang for the buck as John said - IF you can find one.

Useful food for thought there tom - thanks. At least I feel a litle vindicated in how my thoughts have been going. So it looks like keep the emu and stay how I am, or go with the RME for any more analog IO. Had briefly looked at the fostex boxes, mostly out of nostalgia for my D90 days but...

Yeah - until very recently that is how I worked. Big ol` A&H auto desk and the final result after visiting my outboard stuff into a computer. Trouble is, I also have a Behringer BCF2000 and a Korg nanokontrol which I have been fooling around with for a while, since I guess I had a premonition...

My mixer died so I have decided to finally go in the box. I have a 6 core AMD box I am in the middle of building & an Emu 1212m in my old music computer. Also bought a Focusrite Octopre with the ADAT card when the mixer died. I now have the chance to buy an RME HDSP 9652 at a fairly good...

no preamps on the 1212m. A good card though - I used one all the time feeding it with the output of my big analog desk. Desk just died so I am on the lookout for alternatives. You can either do what I did and buy an Analog preams to ADAT card and hook up through the ADAT optical connection or...

My A&H GS3V finally gave up the ghost and I am looking for a replacement 8 to 16 in desk, ideally with direct outs - the rest of it will not matter hugely, but I am looking for something at least as good as the A&H if possible. Anyone have something gathering dust in the attic?

rodent 1 vs 1a supposedly the 1 a is improvedd over the 1. I bought a 1 and wound up giving it to a friend whoneeded a mic. Have also heard a 1a. 1= poo 1a=slightly cleaner poo. both horribly sibilant and harsh on top end on everything I tried to record. Wound up with a Red5sound rv10...

and yet another idea done in many studios I have used. mount it on the ceiling on one of those extendable stand thingies mentioned earlier in the thread. Does away with wall reflection problems, too.

My name is Ivan and I`m a guitarholic my record was 159 in one year. Average around 8-12 at any one time. Currently in divesting mode & down to 7 plus a double bass - plus 2 I have "lent" to my daughter. I need professional help.......

No tube amp is going to do well if you have it turned down low and try to force power tube distortion artificially. That`s why folks are turning to lower wattage tube amps. Fizzy distortion is however something I would associate with modern tube amps with pcb`s instead of point to point wiring...

Tube amp mods this question is a bit like asking how long is a piece of string. Any particular amp you have in mind? what sort of mod do you envisage? I`ve built clones of old PtP amps and been very happy with the results, but most of mine are in the Fender vein and not designed to do mental...

Sonar 12345678 Yeh - started out with 3, bought 5 upgrade and shortly thereafter 6. Cost me very little because I always buy the version that has just been superseded on closeout. Not sure I am going to bother with going to 7 from 6 though - I`ll wait till 8 is on closeout, assuming I haven`t...

Ai deaunt gneau sheps as on collective "old" subjects of early Elvis weepies.