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Cant wait for the recording! with glass though u will DEFINITELY get a LOT of reflection.. with your original door idea you can pad the inside like the other walls to minimise that~ now i want to make one.. convert an old fridge... :rolleyes:

just got my nEar05 over the weekend... love them... made my mix a LOT flatter response (no more hifi outputs!!!)... but i guess anythings an upgrade.. it does need to be a decent volume to be balanced sounding... not excessively loud given its 5"... (much better than the 8" when i tried it at...

VERY INTEREST!! kudos indeed~ just a number of questions.. 1 - i presume theres a door somewhere for access? if so whats the need for the glass? =P just for pure admiration!??! :p 2 - hows the foam performing? do you get much (A LOT) of reverb and room (box) sound? i find it hard to imagine...

i thought balanced 1/4" can do phantom power as well... i.e. xlr -> balanced 1/4" (provided the 1/4" in has phantom power...)

hi all! recently got meself a pair of ESI nEar05s and have it hooked up to my MAudio 1010lt in the manual it says to use TRS Balanced or unbalanced connections.. currently im only using TS connections in the inputs.. does it make any difference? and why would it need a balanced TRS input in...

Im in no way an expert but when i got a DMP3 pres to use instead of my dodgy mixer pres... the improvements were huge... every mic i used sounded more lively so if u think ur pre's are hodling u back.. it probably is not worth upgrading mics as ur pres will just render them crap ANYWAY..

Hmm im running cubse SX...

hi all, i have been using cubase for a while now and i've never been able to figure out how to get a db number from the level meters? i can get them going up and down with the monitor and play back fine.. but i dont have a numeric reference?!? is there somewhere i can turn them on or am i...

My First interface was a Tascam US144 it 2 xlr preamp and 2 1/4" inputs (with 1 selectable for guitar input rather than mic) stereo/mono switchable so u dun have an empty channel goign through if ur just gonna use 1 mic its usb like u wanted great flexibility with monitoring ur pc/instrument...

Hi Joe thanks for the reply! I did end up deciding to buy it off him for ~300USD. Theres a LOT of sound to choose from and its taking me forever to read through the manuals… The main problem I have with it at the moment is I cant get it back to the original sounds that’s listed in reference...

ive been looking for a keyboard for a while now to do some recording/playing around.. recently a friend has offered to sell me his Korg N364 for $350 AUD~300USD any opinion on this keyboard? or should i buy some new keyboard not made 14 yrs ago... any opinions welcome :)

^DITTO!!.. go the metal muff. my heavy pedal of choice.. eq necessary on pedal depending on amp and speakers... and also agree about the metal zone over the metal core... and ditch the MG man its only gonna hold u back from finding the GOOD distortions...actually i take that back.. u can...

thought i'd hijack the thread~ http://www.filefactory.com/file/b00dc7g/n/asdf.mp3 heres a short clip of my drummer with karma K10s in a recorderman fashion... the drums are a bit dull in themselves so dun mind it too much~ any comments welcome!! :p

pm'ed for ND868

^I'D Love to A/B the perception100 with my SP B1!!...but im in Australia...

can i second this question.. i also have a SPDIF in/out on my card and i have NO idea what to use it for...

Hi All! i recently installed a M-Audio Delta 1010lt PCI card to record multiple channels from a mixer (or another 2 channel mic preamp) into my computer.. but then my friend told me PCI cards are outdated and their A/D conversion quality is not as good as the newer firewire/USB2 outboard...

yea for the price u really cant go wrong.. (well u can i guess but not in this case)... they are also very rugged themselves and ppl are amazed by how small they are in real life... they come in a hard case (which i should mention was useful in itself for me last night to hold up the piano...

to me they lack a bit of high end brilliance to them so i'd eq it depending on the cymbal/hi hat.. but for toms its great.. and also the fact that they are a LOT more sensitive than my other drum mics (SM57s) so at the same distance a drummer on steroid will really jump at you.. but if u move it...

this might be slightly outa the norm but i use the karma micros for my close drum micings.. as long as u have overheads and something for the kick.. and mix the rest of toms hats snare cymbals in for attack i think they were ~70 for a set up 7.. bargain mania