Man, they just want too much money for those little capsules. To get my hands on one of each would easily cost me $100. Would rather just buy another 604 at that point.
I just bought two MXL 604s at a pawn shop for $75. A great bargain, I believe. However, I didn't realize until I got home, that each mic has a different capsule. One has the omni head and the other, the cardioid head. Does anyone know where I can purchase JUST the capsules for a relatively low...
Holy crap... Yeah, good thing I WAS sitting down. I was looking at the Rode NTG2 and when I saw the price of the MKH416, I about yelped. In-ears isn't something I thought about. Probably looking at the NTG2 just to get started, and once more work comes in, I'll definitely get the 416.
Are...
I'm looking to branch my services out to audio on sets and am now looking for some good Shotgun mics, lavs, and a field mixer. Does anyone have any advice on this position or which gear universally sounds/works best (think the SM57 of shotguns or field mixers).
Thanks!
Ah. Was just about to ask if you're using Saffire Mix Control. I've got 2 Pro 40s and sometimes need to switch them off then on again, or power up Mix Control in order for them both to show linked and firewire active.
I'm looking to start doing audio tech jobs and doing my own foley on the side. Just looking to see what the "industry standard" is for shotguns on sets.
Very cool. I was planning on opening it up soon and cleaning it all out and somewhat restoring it. The gritty faders and pots did kind of turn me off a little.
I have one of these and a Mackie CR1604 without the expansion. Given the two options, which would you prefer for just, a general studio...
I was just given one by a client as payment for services and was wondering if anybody had any opinions on using one, how they sound, and wether or not they'd make a good recording mixer to run into my Pro Tools setup?
Thanks!