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Apl. thanks for the quick response, Ethan is well known in the field. I'll check it out.

Hello All, First, I'd like to give great thanks to John Sayers, SAE, and all the experts here the the forum. I've been lurking here for quite some time, reading the articles, and absorbing as much as I can. I am a true newbie and now have the chance to move my current corner project studio into...

Thnaks for the previous replies. Yeah, I should have done that. I live close by the LOC also, I would sooner walk from the nearest Metro stop than try and park nearby. How "protective" is mailing yourself a copy in the interim?

Hi, I sent a song on CD with lyrics to the Copyright Office, with the associated paperwork and fee months ago. How can I tell if the song is officially copywritten, I haven't heard anything. Feel free to hit me up via e-mail. Thanks. D

I love my S550, been using it since about '93, and don't mind the 12-bit res at all. I use an old Apple IIe monitor with the monochrome input, works like a charm. Instead of getting longwinded here, check out the s-group: www.generalconcepts.com/sgroup... you can sign up there and the Roland...

No John, it's not. I don't have a fancy CAD program so I eyeballed everything. Scaling is the least of my concern. Proper sound proofing/construction is what I'd like to understand.

In regards to my previous post ("Building a basement studio"), I just saw Ethan Winer's post with this article: www.recording.org/users/acoustics Thanks! Thought I'd sorta "bump" it up.

This storage area is along the length (left side) of the control room.

This wall is where the rear of the control room would be.

Here is another shot of the ceiling:

Hi folks.... First of all, I'd like to acknowledge all those here who give excellent advice from the seasoned vets, especially John Sayers and others, to stark raving newbies like me. I have a small space (10' X 18', with a 10' ceiling) to utilize, as a basement studio Currently the studio is...

That's what I do basically, use it as a controller. Other than that I use it to compose with, than find the voices in my sampler or other synth modules that I really like. FM programming is mathematical and complex, let alone DX programming. I hear AWM/AFM is similar...and that's what all my...

Jag, 40 a few months ago....same stuff as you (sans the nanny). Be encouraged, man...keep pressin' on, you'll get there. Nice spot, Zeke

Dated, yes...but two of my favorite patches are stock DX7S: Tines and Hard Roads....very nice and very usable even today. After Six Productions http://www.geocities.com/a6productions

LOL...point well taken, BB...:)

no, TM...didn't post anywhere else, just wanted to get a cross-section of responses, since the same folk don't all hang out in the same forums...or so I thought....:o

Thanks for all the responses...Tex, I didn't even think about the key and chord voicing issues, had I, I wouldn't have even asked the question. I talked to my buddy afterwards and he mentioned basically the same thing, with regards to his Digitech Harmonizer.... Regards, Fresh!

Thanks Mike...I figged that would be the answer. What do you like about using the 90 II, care to provide some examples of usage?

Oh yes, I know all about the SPX-90 specs and it's history, just wondering if that pitch change deal would give me what I want.... thanks.

Thanks Blue Bear, great site yoy have, by the way. I can pick one up for cheap, and was originally thinking of getting a vocal harmonizer for some quick background vocal recording, but thought about the SPX-90 because I could get more bang for the buck. When u say "I can use it" do u mean I...