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Leon Portelance of CA purchased the Faderport via the vi-control.net forums, and had this to say on Feb 28, 2018: "It works great. It will make setting CCs much easier and the transport strip will come in handy. It arrived in near new condition. Thank you, Tom."

The FaderPort is SOLD I've requested that the Buyer post his impressions after he receives the FaderPort. They will appear here, in this thread. Now...will someone please give this "deserving nanoKontrol" a good home. =]

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FaderPort SOLD I just had to have a FaderPort I use PreSonus Studio One Pro with a FireStudio Project interface. I LOVE my PreSonus gear, and wanted to round out my studio foundation with the FaderPort. Finally broke down and bought it. I set it up (plug-and-play in Studio One) and found a...

Thanks for your comments above. I remain confused about SR vs. PA, and since you've been studying up maybe you can clarify this: 1. I'm a songwriter, so I want the standard PA protection. 2. I expect to sell recording rights to other artists. 3. BUT...I will make a full-blown audio recording...

So before I pull the trigger, the following is my understanding of the consensus among you all (and THANKS for your helpful contributions): 1. At the time of online registration I will receive a registration number / submission number. 2. That number is all the protection I need, so I can go...

Is the $55 cost because it's designated a Sound Recording, rather than a typical copyright application at $35? Like you, I'll take a screen capture, but I'll copy each step in the application process. I trust nothing when it comes to online transactions, except maybe Murphy's Law... :D

HA! Thanks, Mack. I'm doing as you describe in addition to filing with the U.S. Library of Congress. "Belt and suspenders," sez I...

Sorry to be so slow in my reply. Thanks for this caveat. I'll make damned sure I get it right the first time.

If i file an electronic application with the United States Copyright Office TODAY, is the song fully protected as of TODAY'S DATE? Is there a waiting period / processing period? Must I hold off until I receive some official notification? If there's an official Copyright Office publication...

I agree. I used to submit a paper lead sheet with notation melody and lyrics below each staff line, as well as printed lyrics arranged in stanzas, like poetry. Half the time I can't make out what a singer is saying, even on expensive, professionally produced recordings. So how are the...

Man! After hours of study I STILL got it backwards?! :facepalm: Here's a Copyright.gov link I just dredged up from my weekend's worth of 'bookmarks.' It spells out very clearly what you just said (again): "When to Use Form SR (Sound Recordings) Use Form SR for registration of published...

Or perhaps not thinking enough. I engage in both approaches on a regular basis. :D Thanks for your detailed and helpful assistance, and for your patience. I read your comments/advice carefully and studied online over the weekend. 'Looked at dozens of web pages and I still don't know if I...

Hey, Steve == What is that? :D Until now, I've been focused on copyright protection of the lyrics and melody. I figure that's the core of the song - the marketable essence of the creative work. I may be wrong (and would appreciate further discussion!) but I've been thinking of bass, lead...

Thanks for helpful suggestions. Then how about this? Perform all verses with vocal to establish melody and lyrics, as usual. BUT... add instrumental verse in the middle with the piano playing the vocal melody (no vocal). I want to protect the song prior to making it available to session...

TWO takes in one recording: Guitar-and-Vocal, followed by Guitar-and-Synth Melody Miroslav and Joey2000 == Thanks to Miroslav and Joey2000 for your helpful comments. 1. I don't understand the concept of copyrighting the production of a song. What exactly would be protected in that case...

This post got too involved, so I deleted it. See next post.