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Good stuff.. Thanks for the input... Hmm... Now that you mention it.. Visual appeal is a factor.. :D

Dynaudio BM 5A = $999.97/pair Event ASP8 = $1,299.94/pair If you could choose between one or the other, to see in a basic local studio, which would it be? Remember, the fact that the Event's cost a little more and might have a higher resale value doesn't matter to me. Quality first...

Is it real spring reverb though? Doesn't look like it... This thing has the spring in it...

Don't worry bout that last post.. I figured everything out... I'M SO HAPPY!! I now have outboard reverb for all occasions... :p :D

Well.. Decided to take a chance on it.. Just for kicks, if nothing else.. Suppose, for a moment, that I wanted to just use this for the onboard reverb.. How should I connect and return (which place should I plugin to this thing) to get the best signal? The manual is posted about... Thanks!

Coo;l.. Thanks.. Guy I know is selling one for 50... Just wonderin'...

PM'ed....and then some characters

Cool.. Thanks fro the info... That helps! :D

Hey.. Thanks for the info... Tell your dad thanks too.. :)

Agreed... I would love to have a Revox... Any specific difference in sound with the glass head? I found the following info on another site.. Interesting stuff.. "lifetime warranty"?!?! =============== History : Akai 4000DS Mk2 machines where manufactured circa 1976-1978 and they recorded...

It's from back in the day... 7-channels http://www.geocities.com/tm_djservice/701Rmixer.jpg I would love to know if the pre's are of any use.. Maybe use it for "summing" too? My Firewire 410 does have 10 outs... :) Thanks P.S. Here's a link to the manual... I just found out it has...

So, I'm looking into buying an Akai GX-4000D and I already have a GX-280D.. My question is which one is the superior of the two, in terms of quality? Thanks

Just in case you need an instrument cable for that hair dryer, check out today's "deal".. wooohoo...a coiling cable that is guaranteed to get on your nerves... :D

All I know is Fender Rhodes + Vox AC30CC = :D

"Warming up tracks - The TG2's warm, natural sound can be used to spice up already recorded tracks or even entire mixes. Just run them through the mic inputs on the rear panel, set the input to minimum(+5db), and back off the output slightly to make unity gain. You may even want to run the gain...

Those are pretty cool.. I'm kinda skeptical though.. Some of the logic seems nonsensical...

I can dig the re-preamping of a synth and clav.... I usually feel that modern digital recording details those soo much that it hurts my ears (see the textbook term "fatigues" ;) )... I'll take some 1970's moog please.. Wakeman style... Anyway, style is style... Technique is technique...

On the Linux server tip.. Lookup Filezilla for a good clean way to FTP and SFTP to your server...

Here's some awesome Bob Katz advice... Level Practices (Part 1) http://www.digido.com/modules.php?name=News&file=article&sid=8 Level Practices (Part 2) (Includes the K-System) http://www.digido.com/modules.php?name=News&file=article&sid=9

So with a preamp like the Focusrite ISA 428, which has four instrument inputs AND line in's (not that the lines even enter the mic pre part of the circuit)... Couldn't you "match" to the hi-z from the line out (where the mix is coming from)? Use two of them and have a dual mono (essentially...