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master yourself. It's homerecording.

They have a driver available from their website that's called the digi asio driver or something like that. Basically it's a driver that allows sound that would normally playback through your computer's soundcard to playback through your mbox or digi001/02 or whatever digi hardware.

or you could ditch 50 year old technology (57) and go with a better microphone such as the audix d3.

I think vinnie paul still uses remo pinstripes on his toms. On the kick, he uses a danmar plastic pad and a wooden drum beater. The toms and the kick drum are heavily scooped between 315 and 400. Also, to get that flabbyness he has in his kick drum sound, the resonant head is only finger tight.

elliott smith had a very quiet singing voice. So what you're hearing on his records is grit from the mic pre (especially on the silibants) and a judicious amount of compression. Nearly all of his vocal stuff was doubled.

audix d1...unmatched off-axis rejection.

how come when the word "punk" gets mentioned people have to go on about what punk is and what punk isn't? seriously, who cares?

Travis is playing the current blink tour with a broken right foot. He has two high hats, an open and closed one and plays his kick drum with his left foot on a double bass pedal. that's whackass good.

there's quite a few drummers that use the a custom sweet as a crash instead of a ride. the dude from dashboard does.

disc @ once mode

a dbx 586 does not sound better than an rnc.

tannoy reveals seem to have a hyped up low end imo.

yeah, if you're hearing a volume difference it could be that they have a different impedence or more likely the sensitivity ratiing is different.

oh man. ..............................

that is why there is NO low end on your kick. Also some of your toms sound too high pitched. what are the dimensions of your toms?

www.microsoft.com

has anything changed when you are recording/editing/mixing? Have you opened up recording sessions that you did on your old setup and now you get spikes on your new setup? I get spikes on sessions that have a lot of edits, punch ins, ect which may be dude to cpu having to constantly load stuff...

whether or not it's legal depends. There's a "fair use" clause regarding copyrighted works. I'm not sure the exact stipulations for movies, but the part you are sampling is legal if it is less than a percentage of the whole and how much the sample is associated with the movie. For example...

Yes, one of my friends owns one and I used to own a 20 ply snare. IMO their sets are nothing special at all. They're nothing that you or I could build ourselves (if you're handy that is). DW is much better quality. the only good think about OCDP is that you can get whatever the hell color...

well if i were them, I'd start out with proven mics and techniques. Maybe a shure sm57 off axis.