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yes, the "getting started" book that comes with it.

hervey those are the most whack mic jobs I've seen in the pics you posted, unless you are miking the player's breath.

we don't speak italian.

audix d2's are pretty sweet.

i record farts

i wanna know where i can buy a studer tape machine for $6k

chiko, i listened to that track on your soundclick page. How the fuck do you think you are going to get a record deal by rapping over the music to a Notorious BIG/junior mafia song?

yeah, get an SSL board.

put t-racks on your mix. but make sure the tubes warm up first.

oh and while you're at it, take it to a mixing and recording house as well. But make sure the recording house and mixing house is different that way you can get an objective sound.

1. buy the bob katz book. 2. take it to a mastering house.

huh? amp?

1. buy the bob katz book 2. take it to a masteringhouse

i'm simply pointing out that on average, you will clip a converter when the preamp is around +18db. In order to get a cleaner signal and still retain resolution, you must compensate a little.

i don't understand the big deal. just turn the fuckin volume down. who cares about saturation if all you're doing is practicing.

Not necessarily. Depending on the preamp, your peaks at 0db on digital meter wil be somewhere around +10 to +20db on your preamp. So if you want to keep it clean as possible, you have to record a little softer. Everything is a compromise in audio.

*waits for the bob katz spam.

The sat knob has to be turned all the way down for the limiter to work like a brick wall limiter.

If i'm recording at 48khz or higher and bouncing down to 41khz, is it a good idea to put a low pass filter at 22khz or does the process of dithering accomplish this?

wow...this is awesome! -some of you mentioned the vocals on the chorus. As a singer I recommend getting gritty on those parts which helps with pitch a lot. put some throat into it. and double ALL THE VOCALS! -where's the distortion? awesome recording. good job.