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Can't I connect them with adat cable or something? I run with OSX 10.7.5

Sorry it's a M-Audio Fast Track Ultra

I am looking to connect both audio interface together in order to get more inputs for a recording session. How do I go along and do that? I can't find any ressources in any of the manuals...

Thanks for your comment. I do understand the value in having a professional coming in, but I am on a do it yourself kind of budget... I built all the broadband absorber panels, bass traps ... You probably have a much better sounding studio that I'll end up having. Although I trust my ears in...

Alright, so I've read the Ethan Winer document. A lot of knowledge is shared, thank you very much for it. For a live room, you say: 'Important places for absorption or diffusion in a recording room are surfaces closer than about ten feet, and especially on the ceiling above drum overhead...

Poetic ehhh?

Great thank you!

Very nice, but how heavy are they?

I just now have read on diffusor.... Should I build some of that too? Then how do you place it all?

For the carpet I understand, so I will put a carpet under the drums only. As for the 'cloud' I will look the forum to understand how it is built. It seems to me that it's a blanket with some Roxul into it? 1- I currently have at least 10 regular size broadband absorber + 2 'door' sized...

1- thanks 2- The ceilings are pretty high, about 4 to 5 meters -----) 12 to 14 feet. What should I build? Any recommandation? 3- What is a RT60 time that's uniform over a wide range of frequencies? Should I take off the carpet, and leave the hard wood floor empty?

New project here. I have a pretty big room and I want to turn it into a live recording room. I started putting broadband absorption panels on the walls, it makes a terrific difference. I have three questions here: 1- Should I put bass traps in a live recording room? 2- Should I put...

I have Guitar Rig (the latest version) I have to admit that it gets really close to real amp. But I find it really useful for effects that I don't own (obviously) and all the overdrive/distortion effect. Seems easier to mix afterward.

Make sense, thanks

Nice! From your experience, will I gain a lot to do that instead of using guitar rig?

Thanks for these four answers. It definitely adds to what I knew/thought. I am recording tracks over music. So no leakage can be done. As far as mic placement goes, I will check out moving the mic from the cone and placing a second one, being sure it's not phasing.

By the way... I have tried all these techniques not getting a particularly full answer for myself... Hence why I come here.

I want to record my electric guitar through my amp (Fender DeVille 212) and I wanted to know if I should: 1- Completely isolate (closely) the amp and the mics with panels or completely isolate (further away) or not at all 2- Where do you position the mics? One in front of each speaker? One...

Hey everybody, do you change the way you place the mic according to what you will record? If so, what do you do when you have a little bit of both in the same song?

Ok, at the next production meeting I'll try to get better answer. One thing I really don't want to do is to say: Hey! I was told that 48kh was bullcrap and I am doing everything in 44kh. Hehe